Character Analysis Othello
Summary and Analysis Scene 2
Character Analysis Iago
Othello is a combination of greatness and weakness, in his own words "an honourable murderer" (V.2, 295). He is a general in the Venetian defense forces, and, although a foreigner from Africa, he has won this post by excellence in the field of war. He has courage, intelligence, the skill of command, and the respect of his troops. Under pressure, he makes an inspiring speech. When the colony of Cyprus is threatened by the enemy, the Duke and Senate turn to "valiant" Othello to lead the defense. After many years on campaign, Othello has come to live in Venice, among the sophisticated people of the city. Senator Brabantio has invited him to his home, and this is a revelation to the soldier. He is dazzled by the comfortable life, the learned conversation, the civilization. He appoints a student of military knowledge, Cassio, to be his lieutenant. Suddenly he sees possibilities for himself to which he had never before aspired. Othello is an outsider who is intelligent and confident in military matters but socially insecure. He leads an intense life, swinging between triumph and dread. He is different from those around him, due to his origins and his life history, but he shares their religion, values, and patriotism to Venice. More importantly, he is visibly different due to the color of his skin, so he lives constantly among, but separated from, other people. Whenever they look at his black face, however brilliant a general he is, he knows the others are thinking "Yes, but he is not really one of us." Shakespeare presents this fact in the dialogue and also in the staging of the play: Othello's is a black face among a sea of white faces, and he is constantly referred to as "The Moor," a representative African, while others go by their personal names and are seen as independent individuals. When other characters call him "black," they refer to his face but also to the concept of color symbolism in Elizabethan morality: White is honor, black is wickedness; white is innocence, black is guilt. Othello tells his life story to Desdemona, and she sees him through his words. The life of early separation from home and family, followed by danger and adventure, is perhaps the life story of thousands of men down the ages who become soldiers of fortune and who end up as corpses in ditches at an early age, unwept, unpaid, and unrecorded. Othello's achievement is not so much that he survived this unpromising life, but that he survived it in such a spectacularly successful manner, ending up one of the most powerful men in the Venetian defense forces. On the field of battle Othello is skilled and triumphant; in the drawing room he is reluctant until Desdemona takes the lead and encourages him to tell his life story. It is Desdemona, as well as Othello, who turns the secret marriage into a social success with her skillfully worded defense. Othello feels that his marriage is at the pinnacle of his life: "If it were now to die, / @'Twere now to be most happy, for I fear / My soul hath her content so absolute, / That not another comfort, like to this / Succeeds in unknown fate" (II.1, 190-194). He is triumphant in war and in love, the hero at his greatest moment. Such triumph, in a tragedy, cannot last. Othello is aware of the precarious nature of success and happiness. "But I do love thee, and when I love thee not, / Chaos is come again" (III.3, 91-93). These are the words of a man who knows chaos and believes himself to have been rescued from it by love. Love for Othello puts order, peace, and happiness into his mental world, which would otherwise lapse back into chaos. He has grown up in exile, slavery, danger, and despair, now, as a professional soldier, he lives amongst chaos on the battlefield, but he need no longer have it in his inner being, because he has love. Chaos is the old concept of Hell, where everything is dreadful anguish, and...
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