Tutor Marked Assignment (TMA)
FACULTY OF LANGUAGE STUDIES
A210B TMA COVER FORM (2013)
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20%| for content : a max of 20 marks | marks deducted for lang. & communication errors: a maximum of 4 marks | Earned Mark| | | | |
Notes on plagiarism:
A. According to the Arab Open University By-laws, “the following acts represent cases of cheating and plagiarism: * Verbatim copying of printed material and submitting them as part of TMAs without proper academic acknowledgement and documentation. * Verbatim copying of material from the Internet, including tables and graphics. * Copying other students’ notes or reports.
* Using paid or unpaid material prepared for the student by individuals or firms. B. Penalties for plagiarism ranges from failure in the TMA to expulsion from the university.
Declaration: I hereby declare that the submitted TMA is my own work and I have not copied any other person’s work or plagiarized in any other form as specified above.Student Signature:|
TMA feedback: (PT3)
A210B: Romantic Writings
TMA: Semester 2, 2012 - 2013
TMA: 20 points
[Prepared by Course Chair: Dr. Dima Tahboub]
The romantic Oriental poems of Coleridge, Shelly and Lord Byron present the colonial relationship between West and East that was abundant with over-fertile stereotypes. “According to the Stereotype, the Oriental subjects have no power over their will, and live in an exotic, timeless never-never land closer to the realm of mythology than history. We might say that the oriental is represented as the “other” of the westerner, who in contrast lives in a “progressive” and purposeful historical present motivated by moral choice and action.” (RW, P. 224)
With reference to the above quotation, discuss in an essay of 2000 words three romantic poems by the aforementioned poets in view of the following critical issues:
1. The notions of Colonialism, Orientalism according to Edward Said and Oriental Renaissance according to Raymond Schwab.
2. The representation of the Western “self” and the Eastern “other”.
3. The moral ground of Romanticism, its restriction to the European Continent and exclusion of other nations.
4. Your own reflections and comments on the image of the Orient in Romantic poetry and its misleading effects that contributed to misunderstanding and mistreatment between West and East.
The following poems, articles and websites are of particular relevance to your essay: Edward Said’s article in A210A The Realist Novel “Culture and Imperialism” pp. 274-78. Nigel Leask article in Romantic Writings “Colonialism and the Exotic” pp. 223-46. Rene Wellek ‘s article in Romantic Writings “The concept of Romanticism in literary history” pp. 325-38. Raymond Schwab in Romantic Writings “The Oriental Renaissance” pp. 292-99. S.T. Coleridge, “Kubla Khan”; Shelley “Ozymandias”; Thomas De Quincey, “The Confessions of an English Opium Eater”, Byron, “The Corsair”. http://www.1001inventions.com/
The following are guidelines on plagiarism:
If you submit an assignment that contains work other than yours without acknowledging your sources, you are committing plagiarism. This might occur when:
* Using a sentence or phrase that you have come across
* Copying word-for-word directly from a text
* Paraphrasing the words from the text very closely
* Using text downloaded from the Internet
* Borrowing statistics or assembled fact from another person or source * Copying or downloading figures, photographs, pictures or diagrams without acknowledging your sources * Copying from the notes or essays of a fellow student
(Slightly adapted from OU document on quoting versus plagiarism)
It is important to...