On Implications of Ironies in Much Ado About Nothing

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On implications of ironies in Much Ado about Nothing

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On implications of ironies in Much Ado about Nothing2
Abstract2
Introduction2
1. Ironies for patriarchy3
1.1.1 Realistic roles implies true life3
1.1.2Whys in a historical context4
1.2.1 Confrontation between Patriarchy and religion4 1.2.2 Whys In historical context5
2. Praises for females6
Conclusion7
Bibliography7

On implications of ironies in Much Ado about Nothing

Abstract
Great works not only benefit people at certain times but also enlighten people for generations. Though we can enjoy this play as an interesting pastime, the significance lies in it leads us to further thinking and acquaintance of the real world. This essay bears the hidden ironies for man and a unique attitude for women. To further this viewpoint, historical facts are taken as proofs. This play is not only a reflection of the writer’s young and romantic nature, but also the representation of the transformation of an era. Key words: patriarchy, irony, religion, historical.

Introduction
Much Ado about Nothing is a comedy written by Shakespeare in The Elizabethan era which marked the beginning of the English Renaissance with the work of writers like William Shakespeare, Christopher Marlowe, Edmund Spenser, Sir Thomas More, Francis Bacon, Sir Philip Sidney, John Milton. This play dramatically reflected the certain state of mind and the way of thinking of people at that time, thus providing a good material for us to know more about that period. This play mainly centralized on the marital affairs of two couples, Beatrice and Benedick, Hero and Claudio. Benedick and Beatrice are engaged in a “Merry war”, the moment they meet they will wage a tongue slash on each other, which appears to be rather mean and satirical, but this truth is that the admiration between them is deeply concealed by their proud and dog-headed manner.  In contrast, Claudio and Hero are sweet young people who are rendered practically speechless by their love for one another.  By means of "noting" (which sounds the same as "nothing," and which is gossip, rumor, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar. However, Dogberry, a Constable who is a master of malapropisms, discovers the evil trickery of the villain, Don John. In the end, Don John is captured and everyone else joins in a dance celebrating the marriages of the two couples. This play vividly presents us an overview of the relationship between male and female, marital and patriarchal condition of that period. And Shakespeare filled his play with plenty of humor and wisdom in his ironies for old conventions which had been slightly shaken by the ideology of “the value of mankind” of Renaissance. Nowadays ,most of the study exists is focusing on the most interesting and lively roles ---Beatrice and Benedick , indeed their story is the original creation by Shakespeare, The character of Benedick too has a counterpart in a commentary upon marriage in Orlando Furioso,[6] but the witty wooing of Beatrice and Benedick is original.

1. Ironies for patriarchy
1.1.1 Realistic roles implies true life
The characters in this play can be divided into two groups according to the impelling and impeding effects they have on the preceding of the comedy. One is featured by Beatrice-Benedick, the other Claudio-Hero. Interestingly, the outside factors (the tricks) render a constructive influence on Beatrice-Benedick but destructive to Claudio-Hero. Although the appearance of Beatrice and Benedick added what seems most comedic in the play, without the conflict in Claudio and Hero’s relationship, the former would still be castles in the air, because the conflict provided the comedy a realistic social context as a basis for the romantic...
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