The literature of this sort of masculine society, of which the Iliad and Odyssey are examples, aptly illustrates these social conventions. The themes of these works are subjects which are of interest to men; warfare, hunting, the problems of the warrior and ruler, and so forth. That which would concern women, such as domestic affairs, is not involved in this literature, or is dealt with only casually. Keeping in mind this important attribute of epic poetry, which is the direct result of its social and intellectual environment, one cannot help noting the great difference between the Odyssey and all other epic poems. No other literary work of this period, or of a similar cultural background, gives such a prominent position to women. No reader of the Odyssey can help having vivid memories of the poem’s outstanding female characters. There are many women in the Odyssey and all of them contribute in mean-ingful ways to the development of the action. Furthermore, they are treated seriously and with respect by the poet, as if there were no difference between his attitude toward them and his feelings toward the chieftains for whom his epic was composed. Among the memorable women in the poem are Nausicaa, the innocent young maiden; Arete, the wise and benevolent queen and mother; Circe and Calypso, the sultry and mysterious temptresses; Penelope, the ideal of marital devotion and fidelity; Helen, the respectable middle-class... [continues]
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