Film Style: “Odessa Steps” – Battleship Potemkin
Pacing matches – Camera distances – Musical Score
It’s fair to say that “Battleship Potemkin” was one of the most influential propaganda films of all times. The subject matter and the way it was portrayed greatly affected the way the film was viewed. With the use of multiple styles in the film, Sergei Eisenstein, the director, was able to rewrite and exemplify the occurrence of the Russian rebellion against the Tsarist regime in 1905. He did this with the addition of the “Odessa Steps” sequence. This segment of the film was indeed fiction, but was so powerful, that audiences began to believe that it was a part of the history. The “Odessa Steps” sequence was able to portray the emotions of the people and the meaning of the historical massacre, by the use of dramatic pacing matches, changing camera distances, and an extremely forceful soundtrack. Through the use of eyeline pacing matches the audience was able to view how “Odessa Steps” affected the people involved. In the beginning scene, an eyeline match was used to show the gratefulness towards the arrival of the Potemkin Battleship. This is seen when a woman points off screen in order to show her son what everyone is waving at. In the following scene it cuts to a view of the ship, then back to a view of the woman and son who are now waving (Odessa Steps). Using an eyeline match to edit this sequence provokes emotions that show how happy, not only the woman and son were, but also the entire community was for the arrival of that ship, not one person is expecting anything bad to come of it. The eyeline match was effective because it gave the audience much needed knowledge in order to understand the entirety of the clip. When the mother points out the ship to her son it reveals that, that moment should be remembered by everyone. Everyone is involved in the arrival of the battleship, as everyone is also involved in the immediate...
Please join StudyMode to read the full document