The artist’s use of color and the lines are exquisite. The overall look of the piece is balanced and harmonious.
Critics of mid-nineteenth-century sculpture in France called attention to its often slavish mimicry of ancient works and to the pomposity of public monuments. Charles Baudelaire attacked on a more fundamental level in his 1846 essay, "Why Sculpture Is Boring," which decried the limitations of three-dimensional sculptural representation in comparison to painting, arguably a more versatile and evocative medium. A later shift in taste toward a freer and more naturalistic style is exemplified by the work of Second Empire sculptor Jean-Baptiste Carpeaux. Breaking with traditional approaches to historical subjects and portraiture, Carpeaux infused his sculpture with a previously unseen freedom and immediacy
When I look at this particular piece of sculpture, The first thing that come to mind is that the artist put a lot of Emphasis on the facial expressions of the characters. Also that the human forms are balanced within the space given.
Jean-Baptiste Carpeaux (1827–1875) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art: http://www.metmuseum.org/toah/hd/carp/hd_carp.htm [continues]
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