Plays employ various kinds of structural divisions such as prologues and epilogues, act and scene division, even carefully placed intermissions. Discuss the dramatic uses made of these divisions in atleast two plays you have studied.
“A Doll’s House” by Henrik Ibsen is divided into three acts. In act one, the transition between Nora and the porter that open “A Doll’s House” is immediately puts the money, which emerges as one of the most significant symbolism that forces the play’s conflict as it concerns genders, classes and moral standards. Similarly, act one always portrays Torvald’s insistence on calling Nora by affectionately flyspeck names; Little Songbird which evokes her helplessness and her dependence on him. The only time he called calls Nora by her actual name is when he is angry at her. By placing these names it suggests that Torvald not only asserts his power over Nora but also dehumanizes her. This implies that Nora has no sense of the fundamental male ability to deal with financial issues. In addition to being sort of a doll to Torvald, Nora is also like a child, in the eyes of Torvald. He treats her like a child. Nora’s selection of gifts- a sword and a horse for the male children and a doll for her daughter also portrays that Nora is in forcing stereotypical gender role discrimination. Nora sees her daughter the same way as she has been treated-as a doll. The second act opens with a hopeful, symbol, Christmas. In this act, the audience sees Nora flirting with Dr Rank, coquettishly showing him her new stockings. Nora shows signs that she is becoming aware of the true nature of her marriage and her relationship with Dr Rank. When she compares living with Torvald and living with her father, there is doubt in the depth of her love for Torvald. Nora begins to realize that through her life with Torvald adjusts to social expectations in how husband and wives should live a certain way that is socially acceptable. Consequently, in act three, Nora...
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