Minority Report

Topics: Steven Spielberg, Philip K. Dick, Minority Report Pages: 4 (1463 words) Published: June 10, 2012
The Minority Report, by author Phillip Dick, is a short story of the science fiction genre. The tale was adapted to film by director Steven Spielberg, and exhibits numerous changes to Dick’s basic narrative. Spielberg’s film leans more toward a radical translation because it maintains the fundamental integrity of Phillip Dick’s short story, yet reveals numerous changes to the central narrative and visual texture. Both short story and film versions of the work depict protagonist John Anderton as department head of Precrime, a law enforcement organization that uses “precogs” to observe the occurrence of crimes before they happen. Suspecting conspiracy, Anderton finds himself facing murder charges at the hand of his own organization, and attempts escape. The short story however lacks description, both of the future world and the immediate environments and characters. Anything that must be described receives minimal description. Taking place in New York, under the control of the Federal Westbloc Government, There was a devastating Anglo-Chinese War, during which the Westbloc was controlled entirely by the military, which operated a domestic police force in addition to fighting the war (Dick 19). After the war, the Westbloc was demilitarized and the Precrime Agency founded to run the police force. There is a Senate, but it’s not clear what it does or what the government looks like at all. This is almost the entirety of the setting information provided by the story itself. There are a few other details, none of which implies a deeper world than is explicitly presented. However, the first thing you notice about Steven Spielberg’s Minority Report is how good it looks. Not only good, but polished and shiny; the entire movie has a hazy, slightly overexposed glow. The movie uses a photographic technique called “desaturation” to help echo the threatening, bleak, noir setting (MR Film). This is a process by which the film’s colour is muted, chemically desaturated rather than...
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