Avant Garde Film Midterm
Time was used by Vertov as an important factor in editing as well as in the daily lives of humans.
With editing he utilized the essence of time to his advantage. Vertov wanted a certain rhythm of cuts to exist in the movie. He desired a choppy effect. The cameras, themselves, were supposed to produce a rithym in movements, too. The point was he wanted to make as many cuts and rigid motions as possible to make the film appear as hark jerky as possible to the audience. One reason was that he did not at all want the continuous motion of normative movies to be present. He desired the ebb and flow which daily life really is. He perceived that life was not one smooth ride without any bumps or collisions, but rather it was kind of unpredictable filled with jarring incidents at every corner. The other reason for the director's use of cuts and camera movements was he wanted to make sure people remembered that they were watching a movie and that they were not in some fantasy land. At one point in the middle of the film there was a scene with Vertov's wife clipping and editing the movie in a studio. Then there was a still-frame before the movie continues. This was done so viewers would again realize they were watching a movie, because too often people take things for granted.
Other uses of time were implemented by Vertov to ensure the viewers understood they were watching a movie. There were a multitude of different sequences involved in this film.
One intriguing occurrence was how Vertov showed the movie goers going in and out of movie houses. This was the first time in a movie that people were actually seen going to and from these theaters. Vertov made sure he got in all the features of daily life. He was not filming actors, what he was doing was filming real lives and real alive people playing the roles....