Preview

Madonna of the Long Neck

Good Essays
Open Document
Open Document
1195 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Madonna of the Long Neck
PART I : Significance Essay 1: STYLISTIC Analysis (50 points)

Madonna of the Long Neck

In many ways, each artist has their own individual technologies and style feature, and during the 1520, Mannerism was a particular style for many artist adoption and favor. This style of art became popular in Florence and Rome in the late Renaissance. During this period artists got a lot of technical knowledge from it, such as the use of oil paints and perspective drawing. High renaissance art is character by the harmonious, natural, elegance and balance. However, the Mannerism art was very different, it was focus more on conflicting colors, misunderstood environment, and distorted proportions. Those painting sometime have a bizarre subject matter that combined with mythology, classical and Christianity. Although, work of art can often be classified by different time, and by the style is used, which always have a big difference with the colors, theme and hallucinations. Like The “Madonna of the Long Neck” was painted in 1543, by one of the famous Italian painter Parmigianino. This complex and intellectual Christian art with oil in Canvas, is located in Uffizi, Florence, which is a good example of mannerist characteristics of distorted proportion and complex composition.

Mannerism is known for its intellectual complexity and its artificial qualities. The Madonna of the long Neck really shows the style of Mannerism in a numerous of way, such as the subject matter with Virgin Mary and Baby Jesus, and the way he display the unrealistic method, such as the human sculpture was being an un proportional way. It depicts the characteristics of slender bodies. In this painting, every people have a very disproportionate long bodies, such as the Madonna has a abnormal long neck. Although, in this painting the most recognized Mannerism style was the baby Jesus, who is considered to be large and unrealistic for the real life. In this painting he showing the abstract style of it, and

You May Also Find These Documents Helpful

  • Good Essays

    Rona Goffen’s “Icon and Vision: Giovanni Bellini’s Half-Length Madonnas” shows how Bellini, and most noticeably his Madonnas, represent the ways that Eastern, Byzantine and Greek, styles effected the western Italian style. Goffen explains the long history of connection with Byzantium which made eastern art not unusual, but a popular style. Bellini used the popular motifs of this style to incorporate into his work; such motifs included Greek letters, a solemn Mary, and his use of half-length which all directly quoted Byzantine and Greek models. These details revealed the Madonnas to be icon paintings and for use in religious worship, not just for aesthetic pleasure, particularly his use of the half-length. This half-length style has a long and ancient history of referencing icons and other figures that were meant to be eternal, just as an icon is the vehicle for an eternal religious presence. This half-length style was not as popular as the full length and enthroned Mary in Venice, a style that Bellini also used and Lymberopoulou points to as an influence on Cretan art. Goffen argues that even though Bellini used some different styles and motifs in comparison to the Byzantine style of making icons, which depended on repetition for its authenticity and spirituality, Bellini still…

    • 805 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Baxandall describes the fifteenth century as a century where clients would order what they needed instead of purchasing the already made products (Michael 2). He continues to describe how this affected the production of painting. The less known or recognized artist would have to produce readymade arts in order to attract clients. However, the already established artists would wait for clients to make the specific orders that they required. Baxandall argues that the production of painting was hence influenced by the clients taste and preferences or their cultural and social values. Beforehand, paintings and art was treated as an independent entity affected by the changes in laws and development. However, this perception changed as Baxandall explains (Michael 4). People started to view art and paintings from a different angle. They started to recognize or appreciate the time invested by the artist in a particular painting, the feelings and mood during the production of the paintings and the inspiration that led to the discovery of the paintings. Therefore, the success of a painting depended on the mental abilities of an individual painter or artist. During the period of renaissance, oil painting was discovered. Art used to be simple but later art was developed and seemed likes miracles. Artists began painting pictures that seemed life like and which seemed as if they were in three dimensions. The Catholic Church was the main client of the paintings. The paintings were made from those of Virgin Mary to those of the last supper. The freedom from church led to a rebirth of painting. These paintings included naked women and men.…

    • 668 Words
    • 2 Pages
    Good Essays
  • Good Essays

    ap euro essay

    • 730 Words
    • 3 Pages

    Throughout European history art has changed in many ways. During medieval European history the art style was very unrealistic. The human body proportions were all wrong. Grown men and women were sized as children or midgets. The art style was also not very elegant due to the fact it was called the dark ages. During the Italian and upper European renaissance the art styles changed along with the rest of Europe’s culture, economy, and the shift of power from the nobles to the monarchs. While decreasing the power of the papacy and the churches influence on art and literature. This shift in Europe lead to the new style of art called humanism. Humanism showed the perfection of the human body with proper proportions. During this style period the greatest works of art in the world came to existence. During this period great artists flourished using many new techniques of art. Artists were being commissioned by the church, monarchs, and rich nobles for paintings and statues. This era brought out the greatest artists and creations through the style known now and forever as humanism.…

    • 730 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The artist created the figure around the early fourteenth century, which was also the time period of the Italian Renaissance. The sculpture presents the Virgin seated gracefully on the ground with one knee raised and the other beneath her. The baby Jesus is viewed tugging on his mother’s dress while simultaneously glancing at the viewer. The subject manner in this piece attempts to illustrate the submission to the divine. The Italian sculptor did not paint in the color of the pupils for both figures; instead he focused on honoring the holy and thus creating an atmosphere of tranquility. The artistic techniques used to create the Madonna of Humility involve Polychromy and some traces of gilding, which is apparent in the hair of Jesus and his…

    • 862 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Art101 Ca1

    • 1181 Words
    • 5 Pages

    “The Renaissance period was a time of great cultural upheaval which had a profound effect on European intellectual development. Having its beginnings in Italy, by the 16th century, it had spread to the rest of Europe. Its influence was felt in various aspects of intellectual pursuits such as philosophy, literature, religion, science, politics, and, of course, art. The scholars of this period applied the humanist method in every field of study, and sought human emotion and realism in art. The inherent reason for the changes incorporated in artistic technique was a renewed interest in depicting nature in its natural beauty, as well as to resolve the fundamentals of aesthetics, the pinnacles of which can be seen in the works of some of the best of Renaissance artists like Leonardo da Vinci, 1452-1519, regarded as the most versatile of geniuses of the Italian Renaissance, Michelangelo, 1475-1564, a Florentine sculptor, painter and architect, and Raphael, 1483-1520, whose works embody the ideals of High Renaissance.” (Putatunda, Rita (N.D). Italian Culture: Renaissance Art and Artists.…

    • 1181 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    IWT1 Task 1

    • 1285 Words
    • 4 Pages

    In the Baroque period the art would depict a play, that it was not just a picture but every figure would have meaning, the art was meant to be read just not looked at as decoration. Figures would be drawn with realism, they have depth in the art, and they are almost falling off the page. They used dark shades and lights to show realism in their paintings. This was brought on with the further discovery of how our universe was formed, how we are not the center of the universe and also with that discovery, we discovered that Europe is not the middle of the Earth as well. Each painting had a story, told about us, about real people and there was more realism than before. Sculptures were made to be experienced, they were made not as standing men but men in action, they told a story in each sculpture that was made in this period.…

    • 1285 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Art History 27

    • 1063 Words
    • 5 Pages

    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

    • 1063 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Humanism DBQ

    • 1221 Words
    • 5 Pages

    Two portraits can be used as an example to show how the art style in the Renaissance differs from past artwork. “One is from Ballini, Portrait of a Young Man and the other was painted by Raphael, called Portrait of a Young Man With an Apple (Doc. 5).” In Ballini’s work, we see a man staring off to something to the left with a blank expression on his face. He is wearing dark clothes and there is no background behind him. In Raphael’s work however, we see a man holding an apple which rests on his other hand. He has different textured clothes on and he is looking at the painter with a bit more expression to his face. There is also a background in this portrait. There may be some differences in both portraits, like their point of view, what they are doing in the painting, or what the background style is like, but both of these portraits have a major similarity. They both are portraits of a man, which show the concept of humanism and focus on the individual. In both portraits, there's is a good amount of detail on the face and what the man is looking at. This is also seen in a sculpted statue called David, by Michelangelo (Doc. 7).” Michelangelo sculpted David with an excessive amount of detail from his muscular complexion to his serious expression and contrapposto stance. Renaissance artists focused more on the concept of humanism and included it into their works of art by bringing out facial features and expressions, defined human details, and used new art techniques like contrapposto and linear perspective which made Renaissance art differ greatly from past artwork, which featured less humanistic qualities standing…

    • 1221 Words
    • 5 Pages
    Better Essays
  • Good Essays

    The Renaissance started in the 1400s; this time of culture took place in all of Europe. During this time art and literature had flourished. Artists had been at their best during the high renaissance which was during the 1500’s. During this time people had used oil on canvas for the first time. These techniques gave more details and depth to the painting. This was called perspective. The Mona Lisa was a world renowned painting by Leonardo Da Vinci. It was a painting of his wife even though she was not very special historically. This painting was so popular that it had set the standard for all other paintings of that time. Another painting that Leonardo painted was “The Last Supper “was Jesus with his disciples eating. This painting had amazing…

    • 306 Words
    • 2 Pages
    Good Essays
  • Good Essays

    True to it's common characteristics, Chimabue's "Enthroned Madonna and Child" stays loyal to the style of Italo-Byzantine art. Giotto's "Ognissanti Madonna" however, in some key areas, strays away from the conventional techniques of the style.…

    • 867 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Paper 1

    • 752 Words
    • 4 Pages

    The Renaissance Ideals and Images reading written Bruce Cole is his expression about portraiture and what it’s function and as well aesthetics were behind these works of art. Cole starts off the reading by giving a brief history on what portraiture was used for before the Renaissance. He says that during the fourteenth century portraiture was used as rank but the artist would put the person in a type. A type is the bare essentials of a person, much like adding a label to someone when looking at them such as, fat, skinny, old, middle-aged, handsome, ugly, etc. Cole then goes on to say this convention of portraiture began to change around the middle of the fifteenth century.…

    • 752 Words
    • 4 Pages
    Good Essays
  • Good Essays

    At the start of the 14th century a time period in human history started that lasted until the mid-seventieth century known as the Renaissance. A rebirth occurred that made this era captivating to study. This rebirth of intellect was in the form of a renewed interest in the classical form of thinking. This renewed way of thinking shifted the prime importance of culture away from divine and supernatural matters, to humankind now being the main importance. With this new culture based on classism, artworks started to become more common and wanted as the artists began to gain recognition. The scholars saw a new found interest in the studding of ancient Greek and Latin classics. The art work that was being produced showed increase detail in not only…

    • 1184 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Final Paper

    • 1446 Words
    • 6 Pages

    In the Early Renaissance Era, artists from Da Vinci, Michelangelo, Raphael Sanzio, Piero della Francesca, Sandro Botticelli and more, developed a passion and ability to create art that could capture a moment may it be a beautiful moment or tragic moment. These artists were also able spark creativity and question in the human mind as to what is or was and…

    • 1446 Words
    • 6 Pages
    Good Essays
  • Good Essays

    One area where Renaissance artists expressed their interest in human nature was in paintings. First compare the picture of the Madonna with the Renaissance painting of the Mona Lisa. Leonardo da Vinci showed a woman as she really looked. He used shading, natural folds in clothing and human expression to paint a person. This is very different from Buoninsegna’s painting. He painted a statue. The face has few features, and is 2 dimensional. The child looks like a little man, and he uses religious symbols to portray emotion. Leonardo da Vinci’s painting of the Mona Lisa demonstrates the new Renaissance idea of human nature because it illustrated a shift from the use of symbolic representation to convey and idea to the use of human emotions or recognizable scenes. It also shifted focus from religious figures to the individual in a natural setting with greater realistic detail.…

    • 535 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Madonna-a Legend

    • 1155 Words
    • 5 Pages

    Singer, performer, actress. Born Madonna Louise Veronica Ciccone in Bay City, Michigan, on August 16, 1958, to parents Silvio "Tony" Ciccone and Madonna Fortin. Tony, the son of Italian immigrants, was the first of his family to go to college, where he earned a degree in engineering. Madonna's mother, an x-ray technician and former dancer, was of French Canadian descent. After their marriage in 1955, the couple moved to Pontiac, Michigan, to be close to Tony's job as a defense engineer. Madonna was born three years later, during a visit with family in Bay City. The third of six children, Madonna learned early on how to handle her role as the middle child, admitting that she was "the sissy of the family" who often used her feminine wiles to get her way.…

    • 1155 Words
    • 5 Pages
    Good Essays