Little Red Riding Hood

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Breezy Brookbank
AP Lit and Comp
November 23, 2012
Angela Carter’s rendition of the Little Red Riding Hood is called The Company of Wolves. This version begins by creating the image of a dangerous, cunning, and ferocious creature – the wolf. Carter tells tales of wolves and their evil and deceiving ways. She later transitions into her version of Little Red Riding Hood and creates the sense of a vulnerable and innocent girl. However, by the end of the story, this girl shows a not-so-innocent side. Throughout The Company of Wolves, a sense of feministic ideas is portrayed as Carter expresses a view of women being dominant over men.

Within the short tales that begin this story, wolves are portrayed as dangerous and evil creatures. One of those stories talks about wolves and men interchanging forms. As the story progresses, a woman’s husband becomes a wolf and runs away. Instead of grieving for a long period of time, she simply “dried her eyes and found herself another husband.” Another story talks about a wolf that attacked a young girl, yet she was rescued by those who heard her screams. Both of these instances show women overcoming the wolves, who are symbols for men. This creates a sense of dominance and supports feministic ways.

As the story of Little Red Riding Hood begins, Carter states that although there are wolves within the forest, the young girl believes that “the wild beasts cannot harm her.” This supports feminist ideas in two ways. It creates a sense that she is not fearful of the wolves. As Carter refers to the wolves as wild beasts, it also creates a negative image for men because they are symbolized as wolves. The girl, however, is portrayed as an innocent and positive figure. Together, these make the girl seem equal, if not dominant over men.

When the girl meets the man in the forest, she seems to fall for his charm and good looks because she had “never seen such a fine fellow.” Her sense of safety grows as she begins to talk to and...
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