Last Tango in Paris

Only available on StudyMode
  • Topic: Last Tango in Paris, Marlon Brando, Bernardo Bertolucci
  • Pages : 3 (719 words )
  • Download(s) : 113
  • Published : December 7, 2010
Open Document
Text Preview
LAST TANGO IN PARIS
Director: Bernardo Bertolucci’s
Producer: Alberto Grimaldi
Director of Photography: Vittorio Storaro
Writer(s): Bernardo Bertolucci
Franco Arcalli
Agnes Varda
Editor(s): Franco Arcalli
Roberto Perpignani
Soundtrack Composer: Gato Barbieri

Lead Performers……………………..Characters’ Name
Marlon Brando………………………..Paul
Maria Schneider………………………Jeanne

R.T.V.F. 10 A
Nov. 3, 2010
1

Marlon Brando dominates the screen as the confused, angered, and scared character of Paul, in Bernardo Bertolucci’s film LAST TANGO IN PARIS (1972). Paul is an American trying to recover from the death of his French prostitute wife. Although he resents her for what she has done to him, he can never overcome his love for her, leading him to a life of contrasting emotions. We know those emotions due to the many reoccurring motifs seen throughout the film.

In the film, it is understood that Paul is in a state of confusion that is unbeknownst to us at the time, through Bertolucci capturing him in low-key lighting. In many scenes of the first act of the film, the audience is unable to look at Paul’s face completely due to the overwhelming presence of shadows. For example, when Jeanne goes up to the apartment for the first time she is startled by Paul sitting alone in an empty room in the dark. He is unsure of who he is at this point in his life, if he doesn’t know that, then how or why should anyone else. Shadows are a great way to portray this to an audience because they are only limited to how much they can see of him.

Searching for answers to who you are is a big theme for both characters in the film; the eyes are the best way to read a person. Throughout the film Paul and Jeanne are looking through multiple windows and doorways. Another motif used in the film to display Paul’s uncertainty is having by having him constantly in a scene where Paul and the audience are capable of...
tracking img