Langston Hughes was an integral part of the Harlem Renaissance, a period during the 1920s and 1930s that was characterized by an artistic flowering of African-American writers, musicians, and visual artists intensely proud of their black heritage. Langston Hughes contributed to the era by bringing the rhythm of jazz, the vernacular of his people, and the social concerns of the day to his verse. “The Negro Speaks of Rivers” in his first collection, The Weary Blues(1926), looks at the past as a source of pride. Other poems capture the rhythm of music and beat of language, such as “Juke Box Love Song.” Still others, like “Theme for English B” and “I, Too, Sing America,” simultaneously express the desire for an integrated world and a warning to those who would try to keep the black race subservient. Essential Facts
1. Hughes was raised primarily by his grandmother. She told him important stories of the African-American oral tradition that would influence his work. 2. Hughes’ father wanted him to become an engineer, so Hughes attended Columbia for a time. He left because of racial intolerance and because he wanted to spend more time writing in Harlem. 3. He graduated from Lincoln University in Pennsylvania in 1929. Among his classmates was future Supreme Court Justice Thurgood Marshall. 4. For a number of years, Hughes was attracted to some of the political philosophies of the Communist Party. Though accused of being a member, he never actually joined. 5. Hughes died of prostate cancer in 1967 at the age of 65. His ashes are buried in Harlem under a special medallion in the Arthur Schomburg Center for Research in Black Culture.
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