The Indian film industry has never been popular for its art films. Art films in Indian cinemas usually try to portray a particular aspect of the Indian culture and norm. These movies avoid all the glitz and glamour normally found in Indian movies. No glitz or glamour usually restricts these movies to a low budget nor are these movies able to attract a large number of audience to the cinema. Directors that usually make such movies try to get a point across to the audience using the cinema screen to portray their view of a particular issue within the community.
The movie starts off showing Arun (Amir Khan) moving into a shabby apartment in an old locality of Mumbai. The film depicts Arun as an artist who meets Shia (Monica Dogra) an American investment banker at one of his exhibitions. The two fall for each other and end up spending the night together. Shai expects Arun would commit to their new found relationship but instead Arun makes it clear that he is not interested in a long term relationship and their night together was nothing more than a one night stand. Shai angry at Arun’s attitude leaves the apartment (Gurbaxani, 2011). This scene depicts a cultural trend that has greatly influenced the modern Indian society. Indian women are known to be conservative. They are forbidden to have premarital sexual relationships. However influenced by western culture, more and more Indian women have been engaging in premarital sex (Dhawan & Kurup, 2006). Spending the night with Arun highlights the western influence that has been a part of the Indian society for quite some time now. Whereas getting angry at Arun for his lack of commitment portrays the conservative Indian side that has been a tradition with in the Indian society. Munna (Prateik Babbar) is the laundry boy for Shai and Arun. Munna aspires to become a famous actor. Munna has a brother who has links to the underworld and his brother tries to use his links within the industry to try and get Munna a break even though Munna is against his brothers activities. Later on in the movie Munna’s brother is murdered probably because of his ties to the underworld (Gurbaxani, 2011). The movie in this scene highlights the underworld influence that has made its way to the Indian film industry. There have been many instances and incidents where mob bosses from the Indian underworld have funded and backed various producers. Anyone who has refused to work in mob backed movies has received threats and sometimes even been targeted by the underworld. Initially the mob bosses were just like any other fans of bollywood superstars. However all that changed when one of these mobsters started financing movies of an actress he fancied. Soon the rest of the underworld got on the idea. Refusal of banks to invest in Indian cinema forced the producers to accept offerings made by the mob bosses (Corliss, 2002). Munna arrives at Shai’s apartment to collect her laundry and the two soon become good friends. Munna offers to become her guide and in return Shai promises she would prepare a portfolio for Munna which he plans to send out to various producers. Munna soon starts developing feelings for Shai but is unable to express his feelings for her (Gurbaxani, 2011). India has been a country where people have been divided into different castes and creeds. From ancient times the caste system has defined the social, financial and economic lives of the Indian people. Marriage of an individual is limited to his or her caste, castes are defined by birth and a person’s caste decides the job that person is best suited for (Callaham & Pavich, 2011). The movie cites Munna’s lower caste and the difference of financial status as the main reasons as to why he doesn’t confess his fee lings to Shai. Meanwhile Shai gets obsessed wit Arun and starts stalking him....