Jesus of Montreal

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Jesus of Montreal

In the movie, Jesus of Montreal, Daniel experiences conflict between the institutional church and commercial media culture. The film parallels the life of Jesus, as the Passion Play and the film itself overlap. One of the major themes in the film is the decrease in traditional and spiritual culture in Quebec, and the increase in consumer culture where relationships don’t hold enough self-gratification and where human beings, especially artists, are turned into a world of consumption. Arcand, director of the film stated “Consumerism may be the legacy of the eighties but there has got to be more to life than that. Jesus of Montreal is about a yearning for something else, a search for a sort of meaning.” The film shows the effects of Hollywood on Canadian culture. This can be seen in a scene when a lawyer/agent tempts Daniel to risk his artistic strength in order to “possess the city,” and uses Ronald Reagan, as an example of Daniel’s prospects. The commercialization of culture is something that is seen as overtaking the human spirit, something that will lead to the destruction of society. In one of the final scenes, after Daniel has been wounded in an accident on set, he stumbles out of the hospital and begins to speak of the destruction of the city of Montreal, quoting from the Olivet Discourse. I think what he meant was that society is destroyed by humanity itself, in its desire for instant gratification, consumerism. This search for truth, for something beyond what the commercial culture says is all that is left. The meaning of Daniel’s death confirms the truth Daniel had to resist; that we cant survive in a world dominated by institutions, media, and consumption. We learn who “Jesus really was” as Daniel really starts to overlap with the role he’s playing. While we are told about Jesus’ origins, Daniel’s background is a compete mystery. We know less about his background than most characters.

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The film tracks the life of...
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