Seeing Rochester among his high-class houseguests, Jane realizes that he has more in common with her than he does with them. Despite Jane’s and Rochester’s different class backgrounds, their master-servant relationship, and the strict gender roles of Victorian society, Jane can tell that they share something intangible – but she doubts that they can overcome all the social obstacles keeping them apart. This isn’t the first time Jane has felt affection for someone – but it may be the first time she’s felt like somebody else.
"Whenever I marry," she continued, after a pause which none interrupted, "I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage: his devotions shall not be shared between me and the shape he sees in his mirror." (2.2.128)
Blanche Ingram’s idea of a good marriage is one in which the partners are distinctly different and one partner is far superior to the other. As a stunning beauty, she doesn’t want a handsome husband, but a hideous one – that way she’ll always get all the attention. Notice how different this is from Jane’s (and Rochester’s) ideas about love and marriage--they’re drawn together because they are alike. Blanche thinks that opposites attract, but Jane knows that kindred spirits attract more strongly.
Ere long, a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in...