The work, Ancestors of the Passage: A Healing Journey through the Middle Passage by _______ treats the subject of slavery and its effects on women.
| Imna Arroyo (p. 50-51)
| _______ is(are) usually necessary for someone to be able to create art from the ideas in his/her imagination.
| training & practice (p. 14)
| Ideals of beauty are:
| culturally influenced (p. 45)
Ludwig Hohlwein's poster "Und Du?" is an example of:
| propaganda (p. 37-38)
| In the formalist approach the chief emphasis to judging quality in art is on ________.
| how the artist manipulates elements of design (p. 48)
| Censorship of art was never an issue until the twentieth century.
| FALSE (p. 30-31)
| Some artists cannot easily explain why they create art. For them, it is ________.
| an inner calling (p. 13)
| Three-dimensional artworks have ________.
| height, width, and depth (p. 16)
| A work of art can be judged from very different points of view.
| TRUE (p. 46-47)
| Georgia O'Keeffe wanted to paint an exact representation of what she saw in nature.
| FALSE (p.22-23)
| There are no absolute guidelines for judging ________ in art.
| quality (p. 46)
| The meaning found in art, including the subject-matter and the emotions, ideas and symbols is called __________.
| content (p. 32)
| Piet Mondrian's Composition (B) En Bleu, et Blanc (Composition in Blue, Yellow, & White) is an example of __________.
| nonobjective, or nonrepresentational, painting (p. 20)
| For Paul Klee, the act of artistic creation seemed to be a way of approaching ________.
| the unseen (p. 42)
| When someone pays an artist to create a work of art it is called a ________.
| patronage (p. 37)
| A naive artist is someone who has never been formally trained in the techniques of art.
| TRUE (p. 42)
| Maya Ying Lin said she wanted her Vietnam Veterans' Memorial to be _________.
| honest about the reality of war (p. 35)
| An artist who uses abstraction as an approach is:
| extracting the essence of the real object (p. 20)
| In Western society, the acceptance of art by women and artists of color has been subject to racial and gender stereotyping.
| TRUE (p. 50-51)
| The first purpose of applied arts is to:
| serve some useful function (p. 24)
| Complementary colors are those that are:
| opposite each other on the color wheel (p. 133)
| During the Renaissance, European painters developed the technique of chiaroscuro, which means:
| light and shade (p. 118)
| When the figure and ground are about equal in area an artist can create a _________, in which either color can be interpreted as lying on top of the other.
| figure-ground reversal (p. 96)
| When two-dimensional images are made to look three-dimensional it is called:
| illusion (p. 82)
| The surface quality of a work is called:
| texture (p. 110)
| The shapes in Matisse's painting The Snail are called hard-edged because ________.
| their boundaries are clearly distinguished (p. 85 & 88)
| When a visual effect is so realistic it fools our perception it is called ________.
| tromp l'oeil (p. 115)
| Atmospheric perspective is a way to ___________.
| show deep space by making distant things hazy (p. 101)
| On its most basic level, three-dimensional art physically _________.
| occupies space (p. 91)
| The sculptor Henry Moore was interested in the interplay between _________.
| positive form and negative space (p. 80)
| Alexander Calder's Cow uses _________ lines to create a sense of three-dimensionality and to emphasize the overall form of the image.
| contour (p. 58 & 91)
| Real-world objects taken from trash heaps and used in art are called:
| found objects (p. 93)
| In art the term "scale" refers to:
| relative size (p. 105)
| The phrase "point of view" is used in art to indicate where the viewer is standing in relation to the figures in the artwork.
| TRUE (p. 103)
| A shape placed on a two-dimensional surface...
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