Today, of course, the situation has changed. Most literate people know that by probing into the heart of the jungle Conrad was trying to convey an impression about the heart of man, and his tale is universally read as one of the first symbolic masterpieces of English prose (Graver,28). In any event, this story recognizes primarily on Marlow, its narrator, not about Kurtz or the brutality of Belgian officials. Conrad wrote a brief statement of how he felt the reader should interpret this work:
"My task which I am trying to achieve is, by the power of the written word, to make you hear, to
make you feel-it is above all, to make you see.(Conrad 1897)
Knowing that Conrad was a novelist who lived in his work, writing about the experiences were as if he were writing about himself. "Every novel contains an element of autobiography-and this can hardly be denied, since the creator can only explain himself in his creations."(Kimbrough,158) The story is written as seen through Marlow's eyes. Marlow is a follower of the sea. His voyage up the Congo is his first experience in freshwater navigation. He is used as a tool, so to speak, in order for Conrad to enter the story and tell it out of his own philosophical mind. He longs to see Kurtz, in the hope's of appreciating all that Kurtz finds endearing in the African jungle. Marlow does not get the opportunity to see Kurtz until he is so disease-stricken he looks more like death than a person. There are no good looks or health. In the story Marlow remarks that Kurtz resembles "an animated image of death carved out of old...