Indian Cinema

Topics: India, Mumbai, Cinema of India Pages: 2 (488 words) Published: June 9, 2008
*Lal, Vinay and Ashis Nandy, eds. Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema. Delhi: Oxford UP, 2006. Mandel, Peter. Cassette Culture: Popular Music and Technology in North India. Chicago: University of Chicago Press, 1993. Manto, Saadat Hasan. Stars from Another Sky: The Bombay Film World of the 1940s. Trans. from Urdu by Khalid Hasan. New Delhi: Penguin Books, 1998. Mishra, Vijay. “Towards a Theoretical Critique of Bombay Cinema.” Screen 26, nos. 3-4 (May-August 1985), pp. 133-151. Mishra, Vijay. “Decentring History: Some Versions of Bombay Cinema.” East-West Film Journal 6, no. 1 (January 1992), pp. 111-155. *Nandy, Ashis, ed. The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema. Delhi: Oxford UP; London: Zed Books, 1996. Prakash, Sanjeev. “Genres in Indian Cinema.” Journal of Arts and Ideas, no. 9 (Oct-Dec 1984), pp. 23-33. [Review of Vasudev and Lenglet, below.] *Prasad, Madhava. Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford UP, 1990. _____. “Cinema and the Desire for Modernity.” Journal of Arts and Ideas, nos. 25-26 (December 1993), pp. 71-86. Rajadhyaksha, Ashish. “Neo-Traditionalism: Film as Popular Art in India.” Framework, nos. 32-33 (1986), pp. 20-67. _____. “The Phalke Era: Conflict of Traditional Form and Modern Technology.” Journal of Arts and Ideas, nos. 14-15 (July-Dec 1987), pp. 47-108. _____. “The Epic Melodrama: Themes of Nationality in Indian Cinema.” Journal of Arts & Ideas, nos. 25-26 (December 1993), pp. 55-70. *Rajadhyaksha, Ashish and Paul Willemen. Encyclopaedia of Indian Cinema. London: British Film Institute; Delhi: Oxford UP, 1994; 2nd ed., Oxford UP, 2001. Sanghvi, Malavika Rajbans. “Where Doubles Dare.” Sunday (13-18 November 1998), pp. 76-80. Thomas, Rosie. “Indian Cinema: Pleasures and Popularity.” Screen 26, nos. 3-4 (May-August 1985), pp. 116-131. Thoraval, Yves. Cinemas of India (1896-2000)....
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