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Illustrating Freedom and Responsibility as an Opposing Dichotomy in Kate Chopin's "The Awakening"

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Illustrating Freedom and Responsibility as an Opposing Dichotomy in Kate Chopin's "The Awakening"
In Kate Chopin's The Awakening, the author frames the notions of freedom and responsibility by contrasting them within an opposing dichotomy portrayed through the main character, Edna Pontellier, and through her subconscious denial of Creole responsibility while attaining freedom for her body, mind, and soul. Within this dichotomy the notions change inversely: the more freedom that is exercised by Edna because of unknown, and undisclosed, subconscious analysis deep in her mind, her sense of Creole responsibilities ebb proportionately. As these opposing forces ebb and flow, Chopin shows freedom in its basic and natural light—as being instinctive and as the normal state of a human being, evidenced by Edna Pontellier's actions flowing smoothly as proscribed deeds in spite of Creole social norms. Creole responsibility is shown as an unquestioning, requisite, often repressive duty, an iron mandate: that of the mother-woman, a steel parasol under which Edna must function. This is the cultural norm in the society in which Edna Pontellier is trapped, which translates for her into an abnormal state of being. Chopin uses Edna's growing subconscious self-awareness as the vehicle in which to portray the push-pull of these concepts of freedom and responsibility. As Edna is imbued with a nascent subconscious knowledge of personal freedom, her compliant response to her tormenting role of a staid, responsible Creole wife and mother-woman in a static society lessens as her freedom grows. Her apparent sense of responsibility wanes proportionately, encouraged by Chopin's portrayal of Creole Society as the catalyst. The author shows Edna growing warmer to the idea of her own personal freedoms with a corresponding coolness toward her responsibilities as a wife and mother, concomitant with her increasingly physical self-awareness, need for personal space, and her longing for Robert. In keeping with the instinctual nature of acquiring her freedom, she does not actively seek

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