“Illumination and Geometry in Islamic Art” Review
In her article entitled “Illumination and Geometry in Islamic Art,” Salma Marani described the beginning of Islamic Art and how the designs were made, but her article also raised several interesting points. How and why did the Islamic people go about making this new form of art? Does it hold any significance for the Islamic people, even today, in the current society that we live in? Does it their artwork show a type of Modernism for the time in which it began? Even in the first sentence, Marani mentioned when this form of Islamic art came to be, and it raised an interesting thought for me. She described how it arrived between the 10th and 13th centuries, but it combined rhythmic geometric patterns, calligraphy, and illumination. To me, achieving those three things in the same piece during that point in time is rather mind-boggling in itself. The artists who “created” this form worked very closely with mathematicians, according to Marani, and she stated that the basis of the infinitely repeating geometric patterns includes the use of symmetry transformations. They seem to incorporate some of what was going on in the world around them at the time, because several other cultures seemed to be found of symmetry as well. It must’ve been a widely-admired form of art and beauty, because it could be found everywhere.
On the other hand, I also thought that the descriptions gave by Marani showed a sort of Modernism in the Islamic people. The creativity the artists and the skill of the mathematicians went beyond what most people had achieved in the time period in the ways of art. In some parts of the world, some people just splatter paint on a canvas and call it art, and while it is, the work done by the Islamic artists and mathematicians shows, to me, at least, a great deal of consideration and dedication to their work. They put all of that effort into something that, to a degree, would only be for show. It...
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