Identity In Toni Morrison's Beloved

Toni Morrison realizes the need for our society to forget about slavery. Why, then, did she write something as graphic as Beloved concerning that very subject? Neither the characters in Beloved, society in general, nor Morrison herself wants to remember that awful time. Beloved forces that upon people. The very people they were trying to forget were given a voice through the text. Rather than observed, the enslaved were the protagonists, shown through a mother-daughter bond in a way that is extremely raw and indicative of the bonds needed to overcome. Beloved portrays the struggle for former slaves to adjust to being as everyone else was. The main question is whether Beloved’s identity is the main catalyst for the shaping of the subjectivity
Kirwan asserts that these thoughts cultivated into her primal scene, pointing out the instance when Beloved was hallucinating after she saw daylight through some cracks and she was pointing at invisible people. As she presents more and more examples of Beloved referencing her primal scene, Kirwan points out their intensity as the novel progresses. Near the end of the novel, the intensity is so much that it seems she is completely immersed in her primal scene, setting the tone for a true parallel for readers to think about. Beloved is now a complete manifestation of her African mother whom she witnessed being murdered aboard the slave ship. The climax of this sensation occurs when she realizes that her mother willfully succumbed to dying aboard the ship, leaving Beloved feeling abandoned and betrayed. Kirwan attributes the way she treats Sethe to her considering Sethe as her mother. The conglomeration of all these events ultimately causes her to vanish (not as much of Sethe’s doing as we are lead to believe). It was Beloved’s total loss of control in terms of her memories that allowed her to rid herself of this