Si Francisco Arcellana ay makata, mangangatha, kritiko, peryodista at guro. Isa siya sa mga ninuno ng makabagong Filipinong maikling katha sa Ingles. Siya ang nanguna sa pagpapalawak ng maikling katha bilang matulaing anyo. Kaniyang ipinagkakapuri ang likhang-isip sapagkat naipapakita nito ang katotohanan at naipriprisinta ang realidad. Siya ay naging mapangahas sa pagtuklas ng mga anyo ng sanaysay upang maipahayag ang talas ng pakiramdam ng mga Filipino. Dahil sa galing ng kaniyang mga kamay sa pagsulat, ang kaniyang mga likha ay siya na ngayong ginagamit ng mga mag-aaral sa kolehiyo. Francisco Arcellana (Zacarias Eugene Francisco Quino Arcellana) aka Frank V. Sta. Cruz, Manila 6 Sept 16 1916. National Artist Literature. He is the fourth of 18 children of Jose Arcellana y Cabaneiro and Epifanio Quino. He is married to Emerenciana Yuvienco with whom he has six children, one of whom, Juaniyo is an essayist, poet and fictionist. He received his first schooling in Tondo. The idea of writing occurred to him at the Tondo Intermediate School but it was at the Manila West High School (later Torres High School) that he took up writing actively as staff member of The Torres Torch, the school organ. In 1932 Arcellana entered the University of the Philippines (UP) as a pre-medicine student and graduated in 1939 with a bachelor of philosophy in degree. In his junior year, mainly because of the publication of his “trilogy of the turtles” in the Literary Apprentice, Arcellana was invited to join the UP Writers Club by Manuel Arguilla – who at that time was already a campus literary figure. In 1934, he edited and published Expression, a quarterly of experimental writing. It caught the attention of Jose Garcia Villa who started a correspondence with Arcellana. It also spawned the Veronicans, a group of 13 pre-WWII who rebelled against traditional forms and themes in Philippine literature. Arcellana went on to medical school after receiving his bachelor's degree while holding jobs in Herald Midweek Magazine, where his weekly column “Art and Life” (later retitled “Life and Letters”) appeared, and in Philcross, the publication of the Philippine Red Cross. The war stopped his schooling. After the war, he continued working in media and publishing and began a career in the academe. He was manager of the International News Service and the editor of This Week. He joined the UP Department of English and Comparative Literature and served as adviser of the Philippine Collegian and director of the UP Creative Writing Center, 1979- 1982. Under a Rockefeller Foundation grant he became a fellow in creative writing, 1956- 1957, at the University of Iowa and Breadloaf Writers' Conference. In 1932 Arcellana published his first story. “The Man Who Could Be Poe” in Graphic while still a student at Torres High School. The following year two of his short stories, “Death is a Factory” and “Lina,” were included in Jose Garcia Villa's honor roll. During the 1930's, which he calls his most productive period, he wrote his most significant stories including, “Now Sleeps the Crimson Petal” cited in 1938 by Villa as the year's best. He also began writing poetry at this time, many of them appearing in Philippine Collegian, Graphic and Herald Midweek Magazine. Some of his works have been translated into Tagalog, Malaysian, Italian, German and Russian, and many have been anthologized. Two major collections of his works are: Selected Stories, 1962, and. The Francisco Arcellana Sampler, 1990. He also edited the Philippine PEN Anthology of Short Stories, 1962, and Fifteen Stories: Story Masters 5, 1973. Arcellana credits Erskine Caldwell and Whit Burnett as influences. From 1928 to 1939, 14 of his short stories were included in Jose Garcia Villa's honor roll. His short story “The Flowers of May” won second prize in 1951 Don Carlos Palanca Memorial Award for Literature. Another short story, “Wing of Madness,” placed second in the Philippines Free Press...
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