Shame! Manuel Viloria says the collection was only twenty pesos.
The story, like most of Arguilla's prose, transpires in Barrio Nagrebcan in La Union, the birthplace of Manuel E. Arguilla himself. You'll immediately realize how the writer loves his hometown by the vivid imagery and sensuality that he offers on the plate. From the shapes and the sounds to even the scent of the air, Arguilla spares no detail to prove that beauty exists in Nagrebcan.
From the title, you can surmise what type of story this is and how it could develop as it goes along. Leon is actually the big brother of the main protagonist, the wielder of the mystic point-of-view, but his wife takes to him as Noel as the latter coinage is presumably a modern twist of Leon though obviously it is an inversion of the word. Baldo is the little brother and Maria, Baldo taking traditional names into mind as he hears her name for the first time, is the wife whom Leon/Noel brought back home.
Maria is actually city bred and Leon/Noel and Baldo are blatantly townsfolk. There's the culture clash that serves to be the conflict, though only between the father and the oblivious Maria. Since Leon/Noel brought Maria to Nagrebcan, it can be presumed that they'll be staying there. As a precaution, unbeknownst to even Leon/Noel and Baldo, their father have asked the younger son to do certain things out of the norm just to see if the wife can really adjust to her new setting â€“ the barrio and the family.
Certain characters, with depth, to note are their sister Aurelia and the bull Labang.
What I like...