Houses as Motif: Kate Chopins the Awakening
Houses as Motifs in Kate Chopin’s The Awakening
Linda Catte Dr. Kathryn Warren ENGL 2329: American Literature March 22, 2012
(KateChopin.org.)
(Krantz’s Grand Isle Hotel Picture of painting by Tracy Warhart Plaisance) (Reflechir: Vol.1. Les images des prairies tremblantes: 1840-1940 by Chénière Hurricane Centennial Committee)
It is not new or unique that an individual is looking for one’s purpose and meaning in life. Nor is it unique that men and women imitate the norms of society. In Kate Chopin’s novella, The Awakening, Edna Pontellier, the antagonist, knocked against the societal norms of the late 1800’s. Houses represent Edna’s search for her inner self. The houses which Chopin uses in The Awakening come in pairs which contrast each other. Chopin uses the bird cage and the bath-house to illustrate imprisonment and freedom. The house on Grand Isle and the small house on the Chénière Island represent restlessness and awareness. The grand house on Esplanade Street in New Orleans and the small house located just around the corner demonstrate confinement and control in contrast with freedom and independence. Each house brings to light different aspects of Edna’s personality as she searches for her inner soul and finds new awakenings along the way.
As various houses are presented by Chopin, each will provide insight into Edna’s search for meaning in her life. In order to better understand Edna’s state of mind as Chopin begins The Awakening, the norms of society needs an explanation. Mr. Leonce Pontellier demonstrates characteristics of a husband who fits the societal norm of 1899 when The Awakening (Chopin) was written. Behaviors by Leonce are displayed in the opening chapter of Chopin’s novella. There are bird cages with a talking parrot and a singing mockingbird, hanging on the porch of the main house at Grand Isle. “Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust.” (Chopin, ch.
Linda Catte Dr. Kathryn Warren ENGL 2329: American Literature March 22, 2012
(KateChopin.org.)
(Krantz’s Grand Isle Hotel Picture of painting by Tracy Warhart Plaisance) (Reflechir: Vol.1. Les images des prairies tremblantes: 1840-1940 by Chénière Hurricane Centennial Committee)
It is not new or unique that an individual is looking for one’s purpose and meaning in life. Nor is it unique that men and women imitate the norms of society. In Kate Chopin’s novella, The Awakening, Edna Pontellier, the antagonist, knocked against the societal norms of the late 1800’s. Houses represent Edna’s search for her inner self. The houses which Chopin uses in The Awakening come in pairs which contrast each other. Chopin uses the bird cage and the bath-house to illustrate imprisonment and freedom. The house on Grand Isle and the small house on the Chénière Island represent restlessness and awareness. The grand house on Esplanade Street in New Orleans and the small house located just around the corner demonstrate confinement and control in contrast with freedom and independence. Each house brings to light different aspects of Edna’s personality as she searches for her inner soul and finds new awakenings along the way.
As various houses are presented by Chopin, each will provide insight into Edna’s search for meaning in her life. In order to better understand Edna’s state of mind as Chopin begins The Awakening, the norms of society needs an explanation. Mr. Leonce Pontellier demonstrates characteristics of a husband who fits the societal norm of 1899 when The Awakening (Chopin) was written. Behaviors by Leonce are displayed in the opening chapter of Chopin’s novella. There are bird cages with a talking parrot and a singing mockingbird, hanging on the porch of the main house at Grand Isle. “Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust.” (Chopin, ch.
Citations: Chopin, Kate. The Awakening. 1899. www.amazon.com/Kindle-eReader-eBook Retrieved on January 14, 2011. http://www.katechopin.org http://office.microsoft.com/en-us/images http://www.loyno.edu/~kchopin/Album10.html Reflechir: Vol.1. Les images des prairies tremblantes: 1840-1940 by Chénière Hurricane Centennial Committee.