It was late 60s, early 70s when people started a sort of b-boying. Their dancing was called "Good Foot" from James Brown's record of the same name. The Good Foot was the first freestyle dance that incorporated moves involving drops and spins, and assembled the beginning s of breaking. The best way to describe the Good Foot is, according to Michael Holman, to imagine a majorette marching in a parade taking steps raised high at the knee but keeping the leg raised at the knee in the air for a beat before dropping it down and simultaneously raising the other leg. Like a stop action drum majorette on beat.
Soon moves like dropping down to the ground and poppin' up again on beat became standard and gave this first generation of b-boys the nickname of "boie-oie-oings." Footwork came in when the boie-oie-oings started using their arms and hands to support their bodies in order to free the feet and legs to do gymnastic steps, shuffles and sweeps. In Brooklyn a new step inspired by these drops was being developed and called Brooklyn Rock" also known as "Uprocking". Once the first early break moves had been established, a definite style began to develop. The famous first generation of b-boys were "Nigger Twins", "Clark Kent", and "Zulu Kings". Around 1977 breaking was losing its popularity and it was about to die. (Continued on Page 2)
History of Breakdancing
B-Boying (continued from Page 1)
However, breaking came back with a new generation of b-boys. It was... [continues]
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