Hero and Ceremony

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The Monomyth
The monomyth is a recurring, underlying theme that many writers follow not only intentionally but unintentionally as well; it follows the hero throughout the novel and explains the success of many mainstream novels. The monomyth is in its entirety he hero’s journey, beginning with the departure, then the initiation and ending with the return. In the novel of ceremony there is no real sense of time there are many flashback’s but there still is a monomyth and it also fills many of the categories to be one. Our hero in ceremony is Tayo even though he is not the average hero with great strength or intelligence but a hero who has an inner battle with himself and stress; he falls into the category of a romantic hero. The refusal in the monomyth has 6 step’s and ceremony manages to cover 5 of them , the first being the refusal and in ceremony it is not as a genuine refusal but a morale one that he wishes to continue to be accepted and not belittled by just being native American by the white people, during the war he was accepted and considered a hero by white people but when his uniform was off and he was returned home he was thought less of just because of his ethnicity so the real refusal here is his refusal to return to blatant racism even if it is not direct. A hero must also have a rescue from without that lets the audience see that even heroes are mortal and require help or rescue at one point to appeal to pathos or emotion. Tayo’s issue or battle with post-traumatic stress that causes him to drink to try to escape the sadness and memories of all his friends and loved ones death in the war, he is from without and also has a personal identity crisis that troubles him throughout the novel. The crossing of the threshold in the novel is not marked by a arduous task or magnanimous event but subtle and gentle , after meeting the “the woman” in the mountains who help’s Tayo with catching Josiah’s cattle or “the cattle of his dreams throughout his and...
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