Guitar and Plectrum Instruments
Rondalia The rondalia is an ensemble of stringed instruments played with the plectrum or pick and generally known as plectrum instruments. It originated in Medieval Spain, especially in Catalunya. Aragon, Murcia, and Valencia. The tradition was later taken to Spanish America and elsewhere. The word rondaila is from the Spanish ronda, meaning "serenade."
The rondalia has its origins in the playing bands from Spain (as well as 'New Spain', namely Mexico) that were forerunners of the present-day rondalia and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university musicians known asestudiantina, dubbed “tuna”. The usual musical instruments used by estudiantina members were mandolins, violins, guitars, flutes, cellos, basses, tambourines, castanets, and triangles. Estudiantina musicians in Spain and Mexico, before and during the age of musical romanticism, wore 16th century attire such as "short velvet breeches, ornate shirts and a short cape with multicolored ribbons".
Some instruments used for the early rondalia were influenced by the Mozarab musical instruments of the time, including the guitars, flutes and vihuelas. Mandolins, castanets and tambourines were also used and today a full range of instruments can be heard, such as the Mexican vihuela, violins and cellos, marimbas, xylophones, harps, and timbales.
Today, rondalias are more modern and expressive, using lyrics that are vibrant, yet still keep with the traditional theme of melancholy love and evening serenades. Currently, there are many groups in Spain (such as 'La Rondalla Sierra Almijara' and 'La Rondalla de la Costera'), and Mexico (such as 'La Rondalla de Saltillo', 'La Rondalla Voces del Corazon') and United States ('La Rondalla del Sagrado Corazon' de Richmond) that carry on the tradition. During the
The rondalia has its origins in the playing bands from Spain (as well as 'New Spain', namely Mexico) that were forerunners of the present-day rondalia and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university musicians known asestudiantina, dubbed “tuna”. The usual musical instruments used by estudiantina members were mandolins, violins, guitars, flutes, cellos, basses, tambourines, castanets, and triangles. Estudiantina musicians in Spain and Mexico, before and during the age of musical romanticism, wore 16th century attire such as "short velvet breeches, ornate shirts and a short cape with multicolored ribbons".
Some instruments used for the early rondalia were influenced by the Mozarab musical instruments of the time, including the guitars, flutes and vihuelas. Mandolins, castanets and tambourines were also used and today a full range of instruments can be heard, such as the Mexican vihuela, violins and cellos, marimbas, xylophones, harps, and timbales.
Today, rondalias are more modern and expressive, using lyrics that are vibrant, yet still keep with the traditional theme of melancholy love and evening serenades. Currently, there are many groups in Spain (such as 'La Rondalla Sierra Almijara' and 'La Rondalla de la Costera'), and Mexico (such as 'La Rondalla de Saltillo', 'La Rondalla Voces del Corazon') and United States ('La Rondalla del Sagrado Corazon' de Richmond) that carry on the tradition. During the