Throughout Egypt, during the middle empire art evolved as a symbol for power and permanence featuring straight lines and powerful figures; as time passed art evolved again morphing from simply representational images of man to the more idealized and anatomically correct style of Roman art. As art became more and more prevalent through the late 3rd and early 4th century’s artists began to focus more on anatomical perfection and realism borrowing artistic elements from other cultures such as the Greeks. Though the artistic styles of ancient Egypt and early Roman art vary widely, the underlying symbolism remains the same. This is clear in both the Egyptian Sculpture Vizier (Figure 1) and the Roman sculpture Bust of and Unknown Man (Figure 2). Where the ideas and concepts of both sculptures are essentially the same, their vastly different styles are evident of the time periods in which they were made.…
At the start of the 14th century a time period in human history started that lasted until the mid-seventieth century known as the Renaissance. A rebirth occurred that made this era captivating to study. This rebirth of intellect was in the form of a renewed interest in the classical form of thinking. This renewed way of thinking shifted the prime importance of culture away from divine and supernatural matters, to humankind now being the main importance. With this new culture based on classism, artworks started to become more common and wanted as the artists began to gain recognition. The scholars saw a new found interest in the studding of ancient Greek and Latin classics. The art work that was being produced showed increase detail in not only…
Showing perfection becomes less important in later Greek sculpture as the beginning of the Hellenistic era takes hold. In order to put the era in context, this period is following the death of Alexander. This led to an abandonment of Greek restrained style giving artists a freedom to be more dynamic, more expressive, more real and free. This period in art is known as the Hellenistic era. It occurred as Greeks become afraid of the breakdown of Greek city-states. And so they turned to new philosophies that showed in their…
This work of art is from the Greek, Hellenistic period, c. 270- 250 B.C.E. This fifteen inch marble bust corresponds to a member of the Ptolemaic dynasty according to the typical facial features of the ruling family at that time. The Ptolemaic dynasty occurred when there was a succession of Macedonian Greeks over Egypt from the death of Alexander the Great in 323 B.C. until the annexation of Egypt by Rome and the suicide of Cleopatra VII in 30 B.C. Therefore, this head was most likely created to symbolize a Ptolemaic Queen. Its subject matter, the themes or ideas in a work of art distinct from its form, is not evident immediately. At first, one believes this to simply be a portrait of a woman typical of the time. Upon further research, it is believed that this head was created to represent a queen or even perhaps a goddess. Recently, it has been identified by different scholarly organizations as the head of Arsinoe II, who ruled with her brother Ptolemy II from 278 B.C.E. until her death in 270 B.C.E.1 (Met)…
By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
Funerary krater: In year 1050 there is evidence of the development of a specific Greek style. This specific style is found first on the vases/ceramic wares. The decoration on the surface is a narrative of a funeral procession. The figures are very simplified; depicted into very simple geometric shapes; torso and hips are triangular. We see a body lying in state (prothesis) which means this vase could have been used as a grave marker. I do want you to notice that there is more of an attempt to display real human emotions. The mourners’ arms are raised over their head as if in distress. It is no surprise that the Greeks would acknowledge real emotional grief in this painting. They were a civilization that was self aware. Their deities were not only human looking but also had very human characteristics. In fact the only difference between the gods and humans was that the…
Sculpture specifically focused on both human potential and achievements, plus the human experience. Firstly, the Greeks often sculpted humans instead of animals or monsters, which is humanistic enough. When they did sculpt gods or goddesses, these deities were anthropomorphic, having human characteristics. Classical sculpture used nudity to depict the ideal human form; subjects were often young male athletes or soldiers, epitomizing human potential and achievement. Hellenistic sculpture was more realistic and emotional, where the subjects were everyday people; this style focused on the struggles included in the human experience. These two styles unite to represent Greek humanism through art. Architecture was built on the scale of Man, in an effort to complement humans, rather than dwarf them. Additionally, the columns themselves symbolized Man, in the idea that each plays a part in supporting the structure. Even the style of the columns suggested humanism, with a masculine and feminine style; Doric columns were sturdy, characterized by simple, undecorated tops, and therefore the “masculine” style. Ionic columns, in contrast, were thin and elegant, with decorated capitals, and therefore the “feminine” style. Sometimes, caryatids, or statues of girls, were used as columns, a humanistic practice in…
The death of Alexander the Great inspired the beginning of the Hellenistic era of the fourth century. The characteristics of this period marked a separation and divide from earlier Greek’s works. Hellenistic artist’s begun expressing their sculptures with such high degree of naturalism contrasting with the earlier religious sculptures that used the idea of realism. Another essential idea that Hellenistic artists used to convey their message on sculptures was the use of emotion, drama, lighting and dynamics poses. The foundation of the Hellenistic era supported many of the works created during the Italian Renaissance. Many of the sculptures created during the Italian Renaissance comprised of religious beings such as Mary or JesuThis paper will…
Throughout different time periods and civilizations come many different types of art that would never be comparable to those of another time or place. There are also the pieces that come from a completely different time and place, but yet they can still be compared to one another. The Torso of a God (Egyptian, New Kingdom, Dynasty 18, last decade of the reign of Amenhotep III, Granodiorite, 1359-1349 B.C.) and the Statue of Asklepios (Greek, Hellenistic period, Pentelic Marble, 2nd century B.C.) are two sculptures made hundreds of years apart, yet they both display many similarities and show how art is constantly changing whilst keeping the same core ideas.…
Very early on the Greeks made the decision that the human form was a significant subject for artistic endeavor. The standing male nude was vital during the Archaic period. Throughout that period, the sculptures were not meant to represent actual humans, they typically depicted what ideal beauty, piety, honor or sacrifice should look like. Next in the Classical period many changes took place. Poses became more relaxed, along with more technical skill of sculptors being greatly involved. One of the Seven Wonders of the Ancient World, the Statue of Zeus at Olympia, was made in this period. Finally was the Hellenistic period. All art forms amidst this period became considerably more diverse as new cultures migrated to Greece. The sculptures of this time were further emotional and…
Around the times that Athens defeated the Persian Empire and was declared as the strongest Greek city, Classical art was at its peak (480-323 BC). Out of all the Greek cities, Athens was the city that was advanced in politics, economics, and culture. During the period of time that the Athenians were dominating Greece, the classical art style emerged. The philosophical context of classical art is that the Greeks wanted to make sculptures of the perfect bodies so they studied bodies until they did it. The Greeks were able to learn how the body is shaped and then transfer it over onto a medium, where tons of practice resulted in classical art (perfect proportions). The classical style is often depicted with realistic bodies in a natural body shape.…
Two portraits can be used as an example to show how the art style in the Renaissance differs from past artwork. “One is from Ballini, Portrait of a Young Man and the other was painted by Raphael, called Portrait of a Young Man With an Apple (Doc. 5).” In Ballini’s work, we see a man staring off to something to the left with a blank expression on his face. He is wearing dark clothes and there is no background behind him. In Raphael’s work however, we see a man holding an apple which rests on his other hand. He has different textured clothes on and he is looking at the painter with a bit more expression to his face. There is also a background in this portrait. There may be some differences in both portraits, like their point of view, what they are doing in the painting, or what the background style is like, but both of these portraits have a major similarity. They both are portraits of a man, which show the concept of humanism and focus on the individual. In both portraits, there's is a good amount of detail on the face and what the man is looking at. This is also seen in a sculpted statue called David, by Michelangelo (Doc. 7).” Michelangelo sculpted David with an excessive amount of detail from his muscular complexion to his serious expression and contrapposto stance. Renaissance artists focused more on the concept of humanism and included it into their works of art by bringing out facial features and expressions, defined human details, and used new art techniques like contrapposto and linear perspective which made Renaissance art differ greatly from past artwork, which featured less humanistic qualities standing…
The Archaic Greek period was between the 8th and 6th centuries B.C.E., when what would later be leading characteristics of Greek art can be seen in their earliest form. Most sculptors of human beings we see that the body’s and faces are fairly abstract; as time evolved so did the tradition, sculptors aimed increasingly at giving their statues a lifelike, considerable presence. They observed human bodies more attentively and copied them more faithfully, leading eventually to a style we know as naturalism. The main reason for this was because most of their statues were of their gods. The more believable the statue was the more present to believers the deity seemed. Ever sanctuary had a god or goddess in it. On such statue is Kroisos 530 BC Archaic Period Marble 6'4 grave in Anavysos kouros statue much more naturalistic than in other periods the rounded cheeks and hips natural and hair. Was originally painted (eyes, lips etc.), but Greeks normally left the flesh the color of the stone. The man Kroisos died in war. The statue base says that Ares (God of war) destroyed him whilst he was in war-stands in the typical Egyptian stance (one foot forward).…
The shape of the face may differ, but the smile will always be the same. The sculpture could be of a warrior dying, but they would still have the smile. The last attribute is naturalism. The Greeks loved naturalism, especially in the human body. They loved the beauty of nature, but they loved idealism as well. So they made a realistic person, but they would be in the best possible condition. Kouros is an athlete, so they made them appear in the most quintessential manner possible. Even though the Archaic period is not realistic as possible, it is a major upgrade to the previous period, the Geometric period. The Geometric period was Ancient Greece in 900 to 700 BCE. This period is called the Geometric period due to the art works having geometric shapes. They were made up of simple shapes, such as squares, triangles, and ovals. The men had sharp, triangular torsos, and oval legs. The hair were cylinders, and the arms were thick lines, with no definition. They were very open, meaning that there were plenty of spaces between parts of the sculpture. The arms were away from the torso, the feet separated. The Archaic period greatly increased its realism in art, but the Greeks…
I have chosen as the subject of my essay to contrast and compare two female statuettes from ancient cultures. The first is an ancient Egyptian statuette named The Offering Bearer which was discovered about 1920 in the tomb of Meketre in Thebes and appears to have been made around 1985 B.C.E. by an unknown. (The Metropolitan Museum of Art, 2007). The second is an unnamed figurine commonly referred to as Statuette of A Standing Woman. This statuette, whose artist is unknown, is one of several figurines collectively called the Tanagra Figurines. They are named after the city where most of them were discovered. They were discovered in the late 1800's through the early 1900's and they date to the last quarter of the 4th century B.C.E. to the early 3rd century B.C.E. (Department of Greek and Roman Art, 2007). The first figure is made from gessoed and painted wood and the limbs, basket, duck, and base were all made separately then attached to the central figure. (The Metropolitan Museum of Art, 2007). The second figure uses terra cotta material and is made using a mold. Like the Egyptian figure, however, the arms heads and other peripheral items were often made separately and then attached to the body. (Department of Greek and Roman Art, 2007).…