While the theories on the artist intent are of plenty, there is no mistaking that this piece provokes deeper contemplation on the depiction of beauty and the power of “ugly” imagery in this painting. One can argue that over vast time periods and amongst culture the defined interpretation of beauty has seen many profound depictions and interpretations displayed in infinite works of “beautiful” art. We must ask ourselves, can only works of “beauty” be aesthetically pleasing to the eye or can we find it in a variety of work through…
For my written analysis, I found this beautiful painting by artist Andrew Palyanov, called Final Boat. The atmospheric perspective of this piece is haunting, demonstrating implied depth and distance despite the fog that only partially obscures the autumn setting. Vertical placement is well-represented, first with a majestic tree closest to the foreground, so close that we can see the details of each leaf and branch. Additionally, the foreground contains a small rowboat, as well as the shallows of the water where tree branches are reflected from directly above. In the middle ground are the gazebo, as well as still more trees on a spit of land that jutts out into the water to overlap the trees on the far side.…
The style of this painting is abstract with simplified and exaggerated aspects. The water and sailboats have all been simplified. The boats that are closer to the front of the painting have been exaggerated more than the others in the distance. There are many horizontal lines within the painting created with the hard, exaggerated brush strokes in the water.…
Throughout the Renaissance, many talented artists tried to express deep symbolism in their paintings, but no one came close to the ability of Jan Van Eyck. His paintings were so accurate and realistic that it was necessary for him to paint his miniaturists with a single strand of hair, on a brush. Jan's Arnolfini Wedding Portrait (1434) is so photo-realistic that it has been debated for decades of it's legality of a wedding document. This paper will help to understand Jan's extreme use of symbolisms and the multiple meanings of his Arnolfini wedding scene.…
Painting in the 16th Century Venice was still caught up in a regional debate which pitted the idea of colore against the much more formal emphasis on disegno. This held sway in the rival Florence. By exploring this philosophical and provincial debate, I have drawn contrasts between the use of colour and outline in selected works by Michelangelo and Titian. I have also looked at to what extent are these attitudes to materials reflective of the social and spatial conditions in the two cities.…
“The Regatta” is a very open space painting. The focal point is the sailing boats in the background. The viewers’ eye will start at the boats. They are painted from large form in front and smaller scale gradually going to the back. The big cliff on the left catches the viewers’ attention next. Finally, they will rest on the vast ocean. This composition creates depth for the painting. On the other hand, the composition of the “The Slave Ship” is different from the “The Regatta”. The eye will focus firstly on the foreground, where the shattered people are floating among the fish, then the dramatic sun on far back, and the dim ship comes last. The rhythms of these paintings are totally different. The…
I chose to evaluate two works of art from two different time periods, one from the Baroque era and another from the Neoclassical artworks. The first piece of artwork that I chose is the "Resting Girl". This beautiful work of art was created by Francois Boucher in 1715 and is the perfect example of a late Baroque style painting which features the Rococo style. This painting is located in the Wallraf Museum in Cologne, Germany. This painting consists of oil on canvas and was the very example of applying a light romantic touch. Boucher used light and delicate colors with emphasis on the interiors which were elegant and exuded luxury.…
This painting is very similar to Piero Della Francesca’s portrait of Federico da Montefeltro. In the sense of both paintings are very rich in colors painted in an unusual color scheme. Both paintings are tempera style and portray images of people in their everyday environment.…
In this essay I intend to discuss three aspects of the work. The first will be the subject matter of the painting the second will be the composition and finally the style and colours in which it was painted.…
This painting is from Alessandro Bonvicino, which is be printed before his death. This painting is painted in high Renaissance time. The Christ is in the center of the painting, and hold by 3 others figures. The composition of this painting is central composition, which is popular in Renaissance time. This painting is a religion painting, which is, comes from the religion’s story. The store of this painting is about the members would have meditated on the moments following Christ’s death, when he was still surrounded by his followers, and thought of the meaning of the inscription, “Christ became obedient even unto death.” But the clothes on the figures is contemporary clothes of that time. The background in the painting is landscape, which is not in the city. And there are three crosses in the far away hilltop. The color and light of the landscape is dark and during the sunset, which match the sad emotion of the time the painting want to show, and also gives the viewer the feeling. But in the front, there is a light on the Christ’s body. It makes the main figure has more contest and different from others. Even the body of the Christ is white and grey, head falling forward awkwardly, and right foot displayed with its wound, which shows he already dead. The lightness gives us the different from the main figures to landscape and the people on the back of the 4 figure in the from and under the light. The color of this painting is dark and shows the sad feeling Christ’s death. The color of the clothes on the figures in the painting is bright and colorful compare to Christ grey. During the Renaissance in Italy there was a law that all prostitutes, or harlots, were to wear the color yellow. The color red was associated with high social status and royalty. Which are specially be showed in the Renaissance time. Also the draper of the…
The “Landslide” painting is unique in itself but also shares some characteristics with Chiura Obata’s “Sunset Water Tower.” This painting is similar in that it was done with watercolor on paper, has a horizontal orientation and was done in the same time period; 1943. This painting differs however with the use of light, colors, use of line and theme. This painting is of a water tower in the middle of a field, with farms surrounding it and mountains in the background, giving it a variety of landscape. It also has a sunset overtop of the water tower leading into light clouds. Hence the name “Sunset Water Tower.” The use of line is very noticeable in this painting. “Sunset Water Tower” is more acceptable in which the time period it was created. The lines are symmetrical with more use of lighter colors. This work of art follows on a horizontal line in which one can see because of the sunset.…
C. The Gondola is one of the most well-known and romantic images portraying Venice. It is the most famous Venetian vessel and also considered the most elegant means of transportation.…
Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s “Virgin and Child”(c. 1380). Both paintings focus on the human form and exhibit many variations of styles from lines, shading, color and possible meanings behind the work.…
This painting was painted around the 1550’s and it was in a chapel. The “Renaissance” is very different from the Medieval art because it has more depth and more details to the painting. In the painting the way the people are drawn looks so real and very detailed. The people have muscles and ABS, the shadow that it makes while they are falling down to the underworld. You can tell the difference where the jaw line starts and how the neck and chin is separated to each other. You can also see skin the sensuality that the Renaissance painting has and not the Middle Ages painting didn’t…
The author's thesis displayed in the chapters is that the church uses diverse styles, sources, meanings, and significance of this art, individually and as a whole rather than representing the specific value of the region. Although roots are drawn to the representation of Byzantine culture, especially that of the thirteenth and fourteenth century within the design of the church, the authors explains how the diverse influences were what finally shaped the facades of the church to represent the Venice life. The plethora of authors use examples of how Byzantine material was brought in and exclusively used to construct the church to localize the church. The author of the chapter uses the likeness of mosaics, sculpture, metalwork, and relics within the church to express the different Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs captured in the church. The church and its decoration are studied in relation to Venice’s interests abroad and on mainland Italy. Overall, the book chapters offer new ideas into the inspiration, purposes, and innovative perspectives of San Marco and the myths that inspired and motivated the people of…