25 March 2013
Godspell Theatric Review
Godspell truly captivates the heart and mind of the mere spectator because of its austerity, and its provincial meanings. The movie is not a message for our times, or a movie to focus on the movement of Jesus, or even quite a movie for the youth. In Fact, it is a sequence of stories and tunes, like the bible is, and it is conveyed with the straightforwardness that ingenuous stories demand: with zero illusions, no knowledgeable implements, and a lot of modest honesty. The qualities expressed through the movie would allow me to see the play in person. Though I was not able to attend a performance of the Godspell at my local high school; if I were given the chance again I would go to watch the play because the movie was truly captivating. The play and movie is a musical focused on the Gospel according to the Evangelist Matthew, "Godspell" is strangely mocking, wild, and loveable. The stage version originally produced in 1971 has been opened up into a movie by taking all of New York in a set. That is true, except for the scenes at the beginning and end, which display the city as a temple of mammon and a rat nest. Only the cast populates the movie; we do not see any other people, and the 10 kids dance, sing, and act out parables in improbable places as the World Trade Center and a tugboat. This is a new use for the city of New York, which looks remarkably spotless; even its vulgar skyscrapers edge toward magnificence when the infinitely long shots immerse them. Against this normality of steel and concrete, the characters come on like kids at a junior high reunion, clothed in comic book colors and bright tattered rags. Only two characters have names: Jesus, and a character who plays both John (who baptized Jesus in the bible) and Judas (who denied and betrayed Jesus). The other eight characters, which represent an on-the-spot assembly of disciples, are the cast who play themselves....
Please join StudyMode to read the full document