Truth is a concept that exists throughout the cross-section of society. Telling the truth is extremely complex as truth is compromised by commercial self-interests. This is represented by the satirical television series Frontline directed by Rob Sitch et al. Frontline humorously mocks a typical current affairs show and its representation of the truth. In the episodes ‘The Siege’ and ‘Smaller Fish to Fry’, Sitch utilises sophisticated techniques to demonstrate how truth is manipulated and concealed.
The notion of truth is that it is easily a victim to manipulation. Rob Sitch successfully portrays the manipulation of truth to achieve goals in ‘the Siege’ through his utilisation of exaggeration. At the siege site, Martin crouches in front of the camera to create a fake impression of danger although he is 5km away from the farmhouse. He is also wearing a flak jacket, a protective vest against shrapnel and indirect projectiles to manipulate the audience into thinking that he is in jeopardy. Martin doesn’t inform the audience that he is actually reporting the story 5km away and that there is no imminent danger to him. Martin behaves this way to heighten the emotions of the audience and to bring higher ratings for the show. Mike Moore feeds manipulation with his closing dialogue, "Martin Di Stazio, live from the line of fire" a term generally associated with soldiers under attack in war, thereby creating a false, and totally fabricated context. The irony there contributes to the portrayal of the notion of truth because Martin is actually 5km away from the farmhouse, nowhere close to the line of fire. Brooke Vandenberg’s behaviour is similar to Martin’s when she interviews Mrs Forbes, encouraging her to cry for the camera to heighten the emotions, thus gaining greater ratings for the interview. Even when the sound operator forgets to put the batteries in the tape recorder, Brooke is determined to get a dramatic interview so she asks Mrs Forbes “do you have any 9 volt...
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