French Art: An Ideal Mother

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Developments in French Art changed the older attitudes regarding the happy mother and the ideals of the family. During the eighteenth century, the enlightenment figures began to develop new ideals on the happy mother and family. Evolving attitudes and developments were seen in the family setting, which brought on new ideals in the French society. The negative view that marriages portrayed was then seen as a blessed and heavenly sacrament. New ideals regarding children were also developed, as they were cared for by the mother and cared for by a loving family. As in Carol Duncan essay shows motherhood, in Angelica Kauffmann ’s artwork shows motherhood too. The first point is status of women and changing relationship of the women with the family and structure and women with the children and husband. Women’s role as a mother changed. As mother raises their children not by a nurse. The second point is process and concept of marriage has changed, now marrying for love. People get married for love not for money. People used to get married for money and family status. Family statue has changed and she loves her children and husband and money is not her first priority. The third point is role of money: why people got married because of dowry. The status of children changing as they are referenced to as treasure. The fourth point is the artist and the family. It is not posed. It is more intimacy is seen within the family members. It shows composition of children close to mother and playful feeling. The last point is the influence of the Enlightenment thinkers. In this essay, Carol Duncan explores the changing ideals in French Art, as it became more family focused with the development of Enlightenment ideals. Happy mother became the central focus as new family ideals were adopted. This essay primarily focuses on the cultural and social aspects of French Art. A difference in social and cultural opinions was seen regarding family and the mother role within the family....
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