MOTIVES and SYMBOLS
1. AUTHOR BIOGRAPHY
Jonathan Swift, son of the English lawyer Jonathan Swift the elder, was born in Dublin, Ireland, on November 30, 1667. He grew up there in the care of his uncle before attending Trinity College at the age of fourteen, where he stayed for seven years, graduating in 1688. In that year, he became the secretary of Sir William Temple, an English politician and member of the Whig party. In 1694, he took religious orders in the Church of Ireland and then spent a year as a country parson. He then spent further time in the service of Temple before returning to Ireland to become the chaplain of the earl of Berkeley. Meanwhile, he had begun to write satires on the political and religious corruption surrounding him, working on A Tale of a Tub, which supports the position of the Anglican Church against its critics on the left and the right, and The Battle of the Books, which argues for the supremacy of the classics against modern thought and literature.
In 1709 he went to London to campaign for the Irish church but was unsuccessful. After some conflicts with the Whig party, mostly because of Swift’s strong allegiance to the church, he became a member of the more conservative Tory party in 1710. Unfortunately for Swift, the Tory government fell out of power in 1714 and Swift, despite his fame for his writings, fell out of favor. Swift, who had been hoping to be assigned a position in the Church of England, instead returned to Dublin, where he became the dean of St. Patrick’s. During his brief time in England, Swift had become friends with writers such as Alexander Pope, and during a meeting of their literary club, the Martinus Scriblerus Club, they decided to write satires of modern learning.
Gulliver’s Travels was a controversial work when it was first published in 1726. In fact, it was not until almost ten years after its first printing that the book appeared with the entire text that Swift had originally intended it to have. Ever since, editors have excised many of the passages, particularly the more caustic ones dealing with bodily functions. Even without those passages, however, Gulliver’s Travels serves as a biting satire, and Swift ensures that it is both humorous and critical, constantly attacking British and European society through its descriptions of imaginary countries. Late in life, Swift seemed to many observers to become even more caustic and bitter than he had been. Three years before his death, he was declared unable to care for himself, and guardians were appointed. Based on these facts and on a comparison between Swift’s fate and that of his character Gulliver, some people have concluded that he gradually became insane and that his insanity was a natural outgrowth of his indignation and outrage against humankind. However, the truth seems to be that Swift was suddenly incapacitated by a paralytic stroke late in life, and that prior to this incident his mental capacities were unimpaired.
Gulliver’s Travels is about a specific set of political conflicts, but if it were nothing more than that it would long ago have been forgotten. The staying power of the work comes from its depiction of the human condition and its often despairing, but occasionally hopeful, sketch of the possibilities for humanity to rein in its baser instincts.
2. PLOT SUMMARY
Gulliver’s travels recounts the story of Lemuel Gulliver, a practical-minded Englishman trained as a surgeon who takes to the seas when his business fails. In a first-person narrative that rarely shows any signs of self-reflection or deep emotional response, Gulliver narrates the adventures that befall him on these travels. [pic]
Gulliver’s adventure in Lilliput begins when he wakes after his shipwreck to find himself bound by innumerable tiny threads and addressed by...
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