Enron: Rhetorical Analysis

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  • Topic: Enron: The Smartest Guys in the Room, Taxi to the Dark Side, Alex Gibney
  • Pages : 2 (777 words )
  • Download(s) : 144
  • Published : December 15, 2010
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The central text for this project is the film Enron: The Smartest Guys in the Room by filmmaker Alex Gibney. This film investigates, documents and then exposes the many moves that led to the collapse of Enron. The director focuses on the chief leaders of the corporation as his principal characters in order to develop the story as a human tragedy. Throughout the course of the film, each leading character is revealed. All players were found to be distinct in their strategies and methods. However, all were alike in their attitude and way of thinking. Each one was goal-driven and each found a way, by whatever means possible, to achieve their desired end: making money. Gibney incorporates many strategic moves into this film that contribute to his overall argument. The one strategy that I found most effective throughout the film and that I would like to focus on for this project is the use of accompanying music to specific scenes in the film.

The song that was chosen for the scene of Lou Pai in the section of Guys with Spikes, was “Einstein on the Beach” by Philip Glass. Lou Pai was described as being a man who was motivated only by money and strippers and that for him “it was all about the numbers.” This song is very repetitive with the beat, rhythm and the lyrics. When listening to this song there is a feeling of being in a daze or a semiconscious state. The song is somewhat hypnotic and trancelike. When paying close attention to the song, three different voices are made out. First there is a voice of a woman talking and it sounds like she is telling a story. Then, there are people singing the numbers in order. Lastly, and quite indistinctly, there is a person speaking the numbers in a random order. The mood that this song creates allows the viewer to experience the perspective of Lou Pai. The song is repetitive with numbers which suggests that this is what Lou Pai thought about all the time. The images of the strippers walking out only serves...
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