Elizabeth Bishop Bibliography

Topics: Poetry, Elizabeth Bishop, Robert Lowell Pages: 16 (2847 words) Published: April 30, 2013
Nicole Watson

Elizabeth Bishop: Annotated Bibliography

Lowell, Robert “Blooms Major Poets” Broomall, PA Chelsea House Publishers


TCC Library, Arlington TX. March 26, 2013

Robert Lowell article from Harold Bloom’s book in the review North and South provides insight

on his influence in poetry in his generation. Lowell, who was to become Bishop’s close friend,

describes the symbolic and rhetorical patterns that many of her early poems share, and goes on

to locate Bishop within the context of modernism. The argument is that Elizabeth Bishop’s

poem refuses to resolve the ambiguities of orientation and perspective, a refusal embodied in the

speaker’s response to her fellow observer’s questions. Instead of defining their location or

speculating on the soundless sea in the background of the monument, she sketches in a possible t

past for what they see: An ancient principality whose artist-prince might have wanted to mark a

tomb boundary, or make a melancholy or romantic scene of it’’(19). As a English Professor

Lowell is a very reliable source on this matter. Furthermore, the North and South Review has

been respected as a publisher in many ways. He won both the Pulitzer Prize and the National

Book Award on Literature were he taught English S, an advanced writing course, Craft of Poetry

and English 285.

I would use this source in a research paper because it is written by English professor and it could

be a good biography of Elizabeth Bishop to reveal her success and achievements. The source

supports good and clear information because Elizabeth presents her sketch to show what the

spokesperson's see, and that it includes quotes from her.

Dickie, Margaret Stein, Bishop, and Rich: Lyrics of Love, War, and Place The University of

Carolina Press (1935)

TCC Library Arlington TX, March 28, 2013

This book is another source that explains Bishop’s female sexuality in modern culture.

Margaret Dickie, was a professor of English and head of the English Department at the

University of Illinois at Urbana-Champaign, argues that Bishop revised the image of the rose

from the romance tradition and used it as a way of visualizing the transforming powers of sexual

pleasure’’ and celebrating “the impenetrable female body and the unimpregnating pleasure of

lesbian sexuality’’ (74). If she was born decades later, this could have been a unique scriptures of

the sexual body, defying both the conventional image of the rose as representing idealized love

and the modernist desire to strip that image of its obsolete meaning(72). In her poems, Bishop

did not see herself as a “lesbian poet” she didn’t want her work to be

published in all female poet anthologies. She was an unusual artist who writes for the broader

culture love poetry that speaks directly to a lesbian audience. This book was easy to understand

because by reading her poem and what the critics say about her i can see why she just wanted to

grab the audience of lesbians in her poems and to just be respected as a writer. I would

recommend it to my classmates who would like to find out more about her lesbian poems or her

poems in general to see how great her works are that can be implemented in a research paper of

her writings. Margaret includes works cited in this book.

Rexroth, Kenneth “The Ballad of the Burglar of Babylon’’ The New York Times 2006

March 28, 2013 www.nytimes/2006/04/02/books/author-bishop.html?_r=0

The website is hosted by The New York Times and journalists in which is a organization that’s

determined to provide you great poems on Bishop’s writings. In this particular article, Kenneth

Rexroth main argument is that Bishop wrote a convincing ballad of a hunting man “Micucu’s

was in a bar for an audience that knew the hero and knew what it meant to be poor...
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