The melancholically aggrieved war poet Wilfred Owen is successful in expressing his bitterness, anger and disgust towards war throughout his war anthology. Owens poetry goes behind closed curtains into exploring and giving a taste of the inner realities of war and the sacrificed young soldiers, who have been deceived by political authorities into sacrificing their essence, lives and minds. Through his poem Dulce et Decorum est, Owen conveys the dehumanising horrors and worthlessness of war which overshadow the patriotic devotion of those who glamorise it. The Demonisation of war is portrayed via an array of graphic Imagery, changing rhythm and extremely in-depth descriptions.
Dulce et Decorum est is a World War One poem about young seduced conscripts fighting in the front line of war and their experience of a noxious attack; these are indispensable humans, merely just numbers being sacrificed one after the other like animals being slaughtered. The fact that Wilfred Owen was amongst these conscripts ignites the poems authenticity, as the use of first person and violently close encounters is spoken of in stark detail, provoking responders to penetrate deep into and feel the horrors of trench warfare.
The poem consists of four stanzas, the first of which deals with the brutality of life in the frontline. Via the graphical accounts and powerful writing devices of alliteration and hyperbolised similes to allow responders a sense of scene and atmosphere of total horror, with the cries of soldiers echoing horrors, but continuing to mock “Bent doubles.” The additional alliterative repetition of “Knock kneed” in comparison to “Hags” compares a soldiers coughing to the coughing of a witch. All of this is just compressed in the first two lines taking its effect on the responder. The alliterative description of “Men marched asleep” further emphasises the men’s exhaustion and their need for light of spirit as they were so broken. The pun “blood-shod” along with the...
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