Dorian Gray’s characterization illustrates the theme throughout the story. At the beginning he is a charming, innocent young man who does not care so much about his looks. He then meets Lord Henry Wotton who severely influences his views and outlook on life. Lord Henry explains to Dorian that his looks are everything. Once he loses them, he will be and have nothing. Lord Henry tells him to live life to its fullest now and do things that pleasure him because once he has lost his looks, he will no longer have the opportunity. As Dorian examines the finished portrait of himself he realizes that Lord Henry is right about his looks and becomes resentful of the painting, angry that it will continue to look youthful while he slowly deteriorates. He pledges to sell his soul in order to stay beautiful while the painting takes on his altering features. Dorian then begins to…
youthfulness, naivety, and lack of experience. Dorian Gray listens to Lord Henry due to the lack of a…
Henry-What matters most to Dorian, Lord Henry, and the polite company they keep is not whether a man is good at heart but rather whether he is handsome.In this novel, Lord Henry Wotton creates a conflict with the naïve and innocent Dorian Gray by influencing and mentally corrupting him. Under this influence, Dorian becomes a hedonist, constantly pursuing pleasure and everlasting beauty. This one-way conflict, where Lord Henry almost completely controls Dorian's emotions, is the cause for Dorian's downfall and death.…
For example, the philosophy that Lord Henry believes and says is based on his intellectual abilities, which relies on his observations and deductive reasoning. His foundation of his beliefs are not based on the physical application of them, and is merely just his perception on scenarios that he has not experienced first hand. This led to the ultimate change of Dorian, who has experienced corruption of sin, and has been greatly affected by the sin he indulged in. Dorian then began to have an obsession with youth because of Lord Henry, who told him that it has great importance to society and the world. With that, Dorian sold his soul to preserve his youth and beauty, and started to engage in grotesque behavior behavior he let the artificial sense of beauty cloud his thoughts and perception of himself and his own…
“Dorian Gray was subject to his hand, and seemed to promise rich and fruitful results”…
Artist Basil Hallward sees Dorian and decides he wants to paint a portrait of this stunning example of a man, and Dorian consents. While sitting for the portrait at Basil’s studio, Dorian meets Basil’s dear friend, the socialite/philosopher Lord Henry Wotton. Lord Henry is an aesthete who whiles away his time by attending parties, going to the Club, supping and other such frivolities. He is a man of charisma, intelligence, sharp wit and “wrong, fascinating, poisonous, delightful theories” (Wilde 56). Lord Henry is immediately taken with Dorian and quickly becomes infatuated. Over the course of time, Lord Henry begins to play a very sinister game with Dorian’s life—he seduces Dorian into leading the life of an aesthete, like himself. A life of debauchery and evil where the pursuit of happiness is paramount and comes at the expense of everything and everyone else—morality be damned. Lord Henry has no particular motive for doing this except to amuse himself and to play the game of creation. Dorian slowly begins to change; Dorian, the beauty on the outside becomes Dorian, the monster on the inside. He transforms into a selfish, hedonist. His disregard for others directly causes the suicide of his fiancée. He participates in immoral acts. He seeks personal gratification with abandon. His creator, Lord Henry, does nothing to intervene and stop Dorian’s progression from young, naïve man to loathsome monster. In…
The Picture of Dorian Gray is a novel written by Oscar Wilde in 1890. The book was written during the Victorian era, a period of time that brought Britain several changes concerning technology, science, culture, religion and others. The Picture of Dorian Gray talks about a character called Dorian Gray, who is a young and handsome man that owned a portrait of himself. An artist and friend called Basil Hallward painted it. The artwork was different from a normal painting. It showed Dorian’s physical changes through years while his physical aspects in real life were always the same without any change. Every time Dorian saw the painting, he saw his true self rather than the one he showed to society. Basil introduced Dorian to Lord Henry Wotton,…
In The Picture of Dorian Gray, Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much, but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious when he says:…
The Picture of Dorian Gray by Oscar Wilde is the story of a man who sells his soul to the devil in exchange for eternal youth. Dorian Gray is a young man of extraordinary beauty and innocence. Basil Hallward, a young talented artist, recognizes the purity and attractiveness of Dorian and he paints a portrait of him which captures all the life and loveliness of Dorian's soul. Lord Henry Wotten, a member of the idle aristocracy of London, is enraptured by the portrait and determines to take the impressionable Dorian Gray under his guidance. Upon meeting Lord Henry, Dorian is attracted to his worldly knowledge and his theories of the privileges of youth, the potency of the senses, and unrestrained impulsive pleasures that can be his without a pained conscience. This seductive sermon given to Dorian changes his life as he realizes for the first time that he is beautiful and decides to live by Lord Henry's devilish theories. Dorian laments that the portrait of himself will stay eternally young and portray his comeliness, but he will grow old and ugly with the passing of time and experience. Dorian utters a wild prayer wishing that the portrait would receive all the signs of old age and the hideousness of his sins and that he would remain untouched and lovely.…
Lord Henry is considered a selfish aristocrat has the whole world at his fingertips. Nothing seems to have any meaning for Lord Henry except his own pleasure. For instance, Lord Henry proclaims, "The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame -- "Stop!" faltered Dorian Gray, "stop! you bewilder me. I don't know what to say” (Wilde 21). Lord Henry is a rationalist that only believes in logic, money object, and art. Lord Henry uses Dorian as a tool for pleasure and Dorian really puts his faith in Lord Henry to help him throughout his journey. For example, “Lord Henry went out to the garden and found Dorian Gray burying his face in the great cool lilac-blossoms, feverishly drinking in their perfume as if it had been wine. He came close to him and put his hand upon his shoulder. "You are quite right to do that," he murmured. "Nothing…
Dorian Gray becomes a monster because of the negative philosophical teachings of Lord Henry and because “Lord Henry had tempted him with the false belief that he could be the master of his own sins; in reality, the reverse turns out to be true” (Buma 5). Lord Henry is initially the most monstrous being; however, through Lord Henry, Dorian Gray becomes even more of a monster than Lord Henry. For instance, in a relationship both parties should have and show equal amounts of love and affection towards the other party. However, Dorian looks at Sybil as an item, for he uses her while she is perfect in his opinion, but when she loses her ability to act because of her overwhelming love expressed towards Dorian, Dorian ends the relationship because he selfishly was only looking after himself. As a result of his cruel behavior, Sybil commits suicide. Sybil’s suicide is not a suicide at all, for Dorian, with his cruel words, forced Sybil into such a depressed state to which she had to kill herself. Dorian was clearly acting in his own self-interest and not even taking into account the feelings of his fiancé. After she has died, Dorian selfishly tries to feel sorry for what he did, and not because he actually feels sorry, but because he wants his painting to look youthful once more. Likewise, his portrait always takes first priority in his thoughts which…
Dorian’s change in personality reinforces Oscar Wilde’s idea. This is because Dorian is living a double life, and in regards to the novel elements of his good and bad side is shown. This is shown with hints in the novel and shows the cautionary tale of the novel. As his friends, such as Lord Henry attempted to “spoil” his “beautiful nature” one of his closest friend Basil was cautious this was going to turn young Dorian from good to evil. Wilde does this to show how Dorian’s lifestyle can be corrupted morally and immorally, as things such as the painting make him accomplish the things he always wanted accepting pleasures moral or immorally. In spite of this, Lord Henry threatens Dorian’s fear of the…
Oscar Wilde’s aesthetic novel pertains to a Faustian contract which allows the titular character to lead a decadent, immoral lifestyle by causing the portrait’s image to change rather than Dorian’s, thus becoming an embodiment of his soul. Basil Hallward, the reclusive artist who painted Dorian’s portrait, is the character wherein the sexual subtext is most prevalent due to his obsessive idolisation of Dorian. This is evident from the incipient passages of the book, due to his reluctance to reveal Dorian’s name to Lord Henry for fear that he would spoil him. Additionally, there are a myriad of passages throughout the novel which hint at an infatuation rather than a simple artistic admiration; Basil professes that he ‘couldn’t be happier if [he] didn’t see him every day’ (Wilde and Elfenbein, 2007), that Dorian is ‘absolutely necessary to [him]’ (Wilde and Elfenbein, 2007),, and that Dorian ‘is much more to [him] than a model or a sitter’(Wilde and Elfenbein, 2007),. These quotes show the intensity of Basil’s affection for Dorian, which seems to extend beyond the realm of friendship. Additionally, Basil is depicted as becoming increasingly jealous throughout the novel, which is most prominent once the engagement of Dorian and Sybil is announced. Basil is described as being ‘silent and preoccupied’(Wilde and Elfenbein, 2007), with ‘a gloom over him’(Wilde and…
“ I can sympathize with everything except suffering. I cannot sympathize with that. It is too ugly, too horrible, to distressing.” Although his greatest mistake is that he failed to focus on a person for the good qualities and traits they have rather than their appearance. “Being natural is simply a pose, and the most irritating pose I know.” Lord Henry is blunt with his superficial views. Before Henry even met Dorian he was obsessed with him all because of the way Basil had described Dorian. “Basil, this is extraordinary! I must see Dorian gray.” He was much aware of what he was doing to Dorian’s innocent mind while talking to him. “Lord Henry watched him. He new the precise psychological moment when to say nothing. He felt intensely interested. He was amazed at the sudden impression that his words had produced.” Henry manipulates Dorian to think just like him, Henry wants him to believe that reputation and acknowledgment are the only things that…
Throughout Oscar Wilde’s The Picture of Dorian Gray, the sinful actions of Dorian cause Dorian himself as well as the portrait of Dorian to diminish. The portrait Basil paints of Dorian depicts an innocent, beautiful young boy who has yet to be corrupted by the influence of the world. However, as Dorian grows older he becomes debased by the thoughts of others and his own experiences. As the novel progresses, the reader loses sight of the innocent, pure Dorian and sees the cruel, corrupted Dorian. After Sibyl killed herself Dorian illustrates his corruption by claiming, “when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow” (96). Dorian no…