Keep it short and simple
Radio journalists need to be able to pick the best newsworthy audio clips and write clear and informative scripts introducing the material they have collected. The script is what makes sense of the sounds. It is the framework for your story. It brings together the most important elements and helps your audience understand the significance of the points made by the people you have interviewed. It’s not just about sounds; it’s about words, too.
The script should be written in simple, short sentences. Try to use everyday language and terms your audience will understand. It should not contain any complicated concepts that could confuse and distract. Use everyday language and avoid complex concepts
Use the script to introduce the audio
The script should offer the audience introductions to the audio you are including. It should tell the listener what’s coming up without repeating the words they are about to hear. Don’t summarize too much; you should not take away the power of the clips in your piece. If you have good clips you need good scripted links
Grab the attention of the audience
You are crafting a tease into material that is designed to make people stop and listen. The language should be in the active tense. The most important information must feature in the first few sentences. However, the quality should be consistent throughout, and the script must not tail off at the end. The script has to be good from start to finish
Your opinions don’t matter
Your script should be factual and without comment or descriptive words. Don’t try to attract listeners by including your own emotions. That’s not your job. Those who listen to your radio package will make their own decisions about the power of the information you are broadcasting. You are not paid to add comment
Deliver a complete and fair report
Your script should weave together all the elements you have gathered for your story without suggesting that any one is more important than the other; that’s for the audience to decide, not you. You have a responsibility to set out the information in a way that doesn’t lead or mislead. You should never construct a radio news package to make a personal point Scripting before interviewing
Some journalists choose to draft a script before they have conducted the interview. That’s fine as long as the journalist retains an open mind and does not orchestrate or stage-manage the interviews to fit into the structure they have planned. Always be ready to change your script if new information comes to light Scripting after interviewing
Some journalists prefer to listen to the material before they write their script. This approach can lead to a fresher sounding piece. However, it can also lead to confusion if you have too much material and no idea how it is going to be edited and scripted together. Writing down a script outline will help when you are editing the audio Fact-checking
Check every fact that you are including in your script. Also check what has been said by those you have interviewed. Just because somebody seems to know what they are talking about doesn't mean that they are telling you the truth. Decide whether your fact-checking has raised any issues that need to be covered in the script. Be prepared to do further research if needed
Check the script against the editorial ethics of objectivity, impartiality and fairness. Do not give undue weight to one point of view. Most of the people you interview will have strong points of view – you wouldn’t be interviewing them if that were not the case. However, your script needs to be fair to all. You must be objective in your selection of clips and your choice of words The beginning
Start the script by addressing the main point made in your introduction. Later in the script you can add context and analysis to try to help the audience understand the issues raised by those you are interviewing....