When Destiny Deacon was younger, she used to take photos of many things. When she turned ten she got an instamatic camera and took pictures of rocks because she was too shy to get people to pose for her. Since the impact of technology her work started to become more open and feeling this, she began to get involved in festivals to show her art as an exhibition.
In some exhibitions, deacon used sodium lights to equalise people. In this way, everyone loses colour and is equal. She believed that whole point of equalising was to say "look, just for a moment in time, here in this photographic exhibition, yes there are politics. But if we can just sort of relax for a moment and see the possibilities." Deacon often says there is a laugh and a tear in every image that she makes that's definitely true. But she does it with her very unique humour.
The irony in her work is she hates the black dolls she works with. But she also feels sorry for them, and buys them because she feels that she is saving them from abandonment. Even though she feels her art is nothing and she feels shy about what she does. Deacon still finds a way to make her work into a masterpiece. Destiny Deacon shows some of the experiences she has been through, through her artwork. She has an aboriginal heritage, but lives in the city. In her artwork, she puts black baby dolls in everyday “city” surroundings. This reflects her view of a black woman living in a modern surrounding which also shows some irony.
There are many influences in Destiny Deacon’s art making. What influences her most is the treatment of the aboriginal population by the white people. Destiny Deacon knows what it’s like to be in “black” in a mass of white people, since she attended college herself and knows what it feels like. Through her art, she tries to show us how she feels about being treated like this, and tries to correct any misconceptions. Her use of black baby dolls represents...