Dekada 70

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  • Topic: Ferdinand Marcos, Philippines, People Power Revolution
  • Pages : 2 (596 words )
  • Download(s) : 1158
  • Published : January 8, 2013
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[1] For the Philippines, the seventies was more than just a period of shaggy hair, bell-bottom jeans, platform shoes, and disco music. It represented the rise of the conjugal dictatorship of Ferdinand and Imelda Marcos, a U.S.-sponsored regime characterized by military repression and wholesale human rights violations. Conversely, it was also the fecund period for the sociopolitical awakening and involvement of many Filipinos; the humus for the renowned religious-political event, the 1986 EDSA People Power Revolution. [2] Dekada 70 journeys with the central character Amanda Bartolome (Vilma Santos), the reticent wife of an alpha-male husband, and the worrying mother of a boisterous all-male brood. Thoroughly relegated to domesticity in a world slathered in testosterone, Amanda begins to undergo a transformation when her family becomes imbricated in the sociopolitical realities brought about by the Marcos dictatorship. The declaration of Martial Law, the lifting of the writ of habeas corpus, the curfews and police searches, all these could have easily floated past Amanda's head had her sons not found themselves caught in the crossfire between the government and the pro-democracy movements. As one son after another faces the oppressive forces of the dictatorship, Amanda gradually realizes that the personal is political. While chanting slogans for sociopolitical change, she finds her own voice and comes to terms with the fullness of her own person. [3] It is notable that in the film, the divine presence is sublimated in the refusal to acquiesce to societal structures that perpetuate injustice. The characters' eyes are opened to the dehumanizing impact of such oppressive structures and they join in the prophetic denunciation of what they have identified as 'not-God.' This importantly resonates with the praxical imperative associated with theologies of liberation, which configure God as imbricated in the collective protest of the oppressed. Amanda then, in her...
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