Ddekada 70

Topics: Philippines, Law, Habeas corpus Pages: 2 (485 words) Published: March 18, 2013
Manifestation and characteristics of a democratic and a republic state. 1. Existence of bill of rights
2. The observance of the rule of the majority.
3. The observance of the principles that ours is a government of laws and not of men. 4. The presence of election through popular will
5. The observance of the principle of separation of powers and the system of checks and balance 6. The observance of the principle that the legislature cannot pass irreparable laws 7. The observance of the law on public officers

8. The observance of the principles that the state cannot be used without its consent. MOVIE ANALYSIS
From the movie Dekada70, whereas martial law existed, and the horror experienced by the family. The mother (played by Vilma Santos) mother of 5 boys and a simple housewife which later on she stands for her rights. During the Marcos rein the horror of Martial law which they had experienced during the year 1970. The observance of the principle the legislature cannot pass irreparable laws which was experience of the 2nd son (which was played by Marvin Agustin) he was secretly a writer, a writer which was full of angst and he called for peaceful evolution, change in the form of expression. Dekada '70 (Dekada '70: Ang Orihinal at Kumpletong Edisyon), translated into Filipino as the '70s decade, is a Filipino novel written by Lualhati Bautista. Dekada '70 is the story of a family caught in the middle of the tumultuous decade of the 1970's. It details how a middle class family struggled with and faced the new changes that empowered Filipinos to rise against the Marcos government. These series of events all happened after the suspension of the Writ of Habeas Corpus, the proclamation of Martial Law, the bombing of Plaza Miranda, the random arrests of political prisoners. The oppressiveness of the Marcos regime made people become more radical. This shaping of the decade are all witnessed by the female character, Amanda...
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