Eliza's own oppression comes in many forms. She must first deal with Rose, who insists on dressing her in fancy clothes to impress her societal friends. Because Eliza must not dirty these expensive dresses, she is imprisoned within them, unable to romp around the house like the playful child that she is. As she grows older, she must wear a corset, a tightly strung and stiffly reinforced bodice that artificially creates a small waist and a high-rising bosomfeminine features that attract men. To encourage a so-called correct posture, Eliza is also outfitted with a metal rod that is placed down her back as she practices the piano. Although Rose herself is gladly unmarried, understanding that she is a lot freer as a single woman, she wants to raise Eliza in a way that eliminates the mistakes that she made as a young woman. She spouts feminist attitudes and enjoys her semi-independent role, but she is thrown into confusion when she takes on the role of motherhood. Eliza is named for Rose's mother, and possibly the thought of her mother makes Rose review her own life through a filter tainted by the prejudices and conditionings of an earlier generation. The result is that Rose's rebellion, which she found gratifying, is suddenly overlaid with a film of guilt. As a mother, she feels more responsible socially and therefore constrains (or attempts to constrain) Eliza's natural... [continues]
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