Crystallization Paper

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Crystallization, as explained by Stendhal in his article titled “Love”, is the act one does when “falling in love.” This is the process of using your imagination and altering the identity of your lover to fit your own preferences. It is making an idealized and “crystallized” version of them to better your own convenience. According to Stendhal, there are seven “steps to love” and crystallization makes an appearance twice, emphasizing the influence it has on relationships. Stendhal has shown and explained that when couples are falling in love, sometimes they tend to not fall in love with the person but rather the crystallized “idea” of that person. As mentioned from the article, Stendhal refers the act of crystallization similar to throwing a “leafless wintry bough into one of the abandoned workings. Two or more months later they haul it out covered with a shining deposit of crystals. The smallest twig, no bigger than a tom-tit’s claw, is studded with a galaxy of scintillating diamonds. The original branch is no longer recognizable.” Crystallization is not only a phenomenon committed by people back then during the times of Stendhal but even now in the modern world. People are always trying to find that perfect person and they are so desperate to be happy and satisfied that they in turn blind themselves by their own identity. This doesn’t necessarily mean it is a negative concept but rather it would be very difficult and threatening in a relationship when the person’s real identity starts to appear behind the crystals. This phenomena described by Stendhal is the main reason that the conflict arises in the play by Henrik Ibsen, “A Doll’s House.” Nora and Torvald Helmer, the main protagonists of the play, are living the glamorous life; they hold great socioeconomical statuses with Torvald being a busy and important banker and social elite and Nora, holding the status of Torvald’s wife. The setting of the play is set in the early 1800’s in Norway, where society...
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