Vu Tuong Vo
Professor: Frank Morris
Date: November 20, 2012
Critical essay review: The God Father
The Godfather, a story about a multigenerational crime family by the Italian American author Mario Puzo, was one of the best-selling books since it was published in 1969. Not only the book was a phenomenon, its movie under the direction of director Francis Ford Coppola had also become a landmark in American movie since it was released in 1972. The Godfather detailed impressively the activities of the gangster world, especially the Corleone family which was under the control of the patriarch Vito Corleone starring by Marlon Brando and Al Pacino as his youngest son Michael Corleone who soon inherited his father’s position. The film lived up to the term masterpiece which helped it win three Academy Awards for best actor, best picture, and best adapted screenplay. Although the movie was full of brutal violence and mass killing of people, it also showed the care, the love, and the loyalty of the Corleone family members for each other.
Rather than just showing the criminal side of breaking the laws or murdering people, The Godfather showed a brand new vision of the gangster world to the audiences. The criminal genre first started with the film the Little Caesar which was the first movie ever made about the gangster world in 1931. Later, many famous directors had taken advantage of this new trend and released many great movies with this genre, such as director Howard Hawkes with his famous film Scarface in 1932 and director Raoul Walsh with the movie White Heat in 1949. Those were all the big films that gave the audiences the impression of how audacious and dangerous the Mafia was. Mostly those movies focused on a younger gangster who was trying to work his way up in his criminal career to become well-known and powerful in the underworld by all means. Then, the release of the Godfather impressively surprised all the fans of the mob movies with a totally...
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