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Critical Analysis of the 50-Year Rule under the Copyright Law in Uganda

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Critical Analysis of the 50-Year Rule under the Copyright Law in Uganda
A CRITICAL ANALYSIS OF THE 50 YEAR RULE UNDER COPYRIGHT LAW IN UGANDA

BY
ASHABA-AHEBWA MARK
109-053011-03106

SUPERVISOR
MR.OKWENYE TONNY

SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF A BACHELORS DEGREE OF LAWS (LL.B) AT THE FACULTY OF LAW IN THE ISLAMIC UNIVERSITY OF UGANDA MBALE MAIN CAMPUS.

MARCH 2012
When he was a little boy his uncle called him “Sparky”, after a comic-strip horse named Spark Plug. School was all but impossible for Sparky.
He failed every subject in the eighth grade. He flunked physics in high school, getting a grade of zero. He also flunked Latin, algebra and English. And his record in sports wasn’t any better. Though he did manage to make the school’s golf team, he promptly lost the only important match of the season. Oh, there was a consolation match; he lost that too.
Throughout his youth, Sparky was awkward socially. It wasn’t that the other students disliked him; it’s just that no one really cared all that much. In fact, Sparky was astonished if a classmate ever said hello to him outside of school hours. There’s no way to tell how he might have done at dating. He never once asked a girl out in high school. He was too afraid of being turned down… or perhaps laughed at. Sparky was a loser. He, his classmates… everyone knew it. So he learned to live with it. He made up his mind early that if things were meant to work out, they would. Otherwise he would content himself with what appeared to be his inevitable mediocrity.
One thing WAS important to Sparky, however — drawing. He was proud of his artwork. No one else appreciated it. But that didn’t seem to matter to him. In his senior year of high school, he submitted some cartoons to the the yearbook. The editors rejected the concept. Despite this brush-off, Sparky was convinced of his ability. He even decided to become an artist.
So, after completing high school, Sparky wrote Walt Disney Studios. They asked for samples of his artwork. Despite careful



References: Adams, J.N., (1997) “The Duration of Copyright in the UK after the Regulations” ,Entertainment Law Review,Vol.8(1),23-26. Akerlof, G, A., et al (2002) Amicus Curiae Brief in Support of the Petitioner, Eldred v Ashcroft. 537 US 186 (No 01-618). Antill, A and Coles, P., (1990) “Copyright Duration: The European Union Adopts Three Score years and Ten” European Intellectual Property Law Review, Vol 18(7), 379-383. Council Directive 93/98 of October 29, 1993, Harmonising the Term of protection of copyright and certain related rights. [1993] O.J.L290/9. Emilianides, A.C., (2004) “The Author Revived: Harmonisation without Justification”, European Intellectual Property Law Review, vol.26 (12), 538-541. Gordon ,W.,(2002) “ Authors, Publishers and Public Goods: Trading Gold for Dross”, Loyola Law Review,Vol 36,p.159. Karjala, D., (1994) “Comment of US copyright Law Professors on the Copyright Office Term of Protection”, European Intellectual property Law Review, vol. 391. Karjala, D.,(2004) “Opposing Copyright Extension” available at http://www.public.asu.edu/~dkarjala/legmats/hatch95.html. Accessed on 29th August 2006. Kilbey, I., (2003) “Copyright Duration? Too Long”, European Intellectual Property Law Review, vol.25 (3), 105-110. Kurlantzick, L., (1994) “Harmonisation of Copyright Protection”, European Intellectual Property Law Review, Vol.16 (11), 463-464. Laddie, H., (1996) “Copyright: Over-strength, Over-regulated, Over- rated”, European Intellectual Property Law Review, 253 Lionel, B and Bradley, S., (2004) Intellectual Property Law (2nd Ed), Oxford: Oxford University Press. Landes, W, and Posner, R., (1989) “An Economic Analysis of Copyright” ,Journal of Legal Studies,Vol.18. Landes, M. W., and Posner, A., (2002) “Indefinitely Renewable Copyright”, University of Chicago Law School, John. Olin Law and Economics Working Paper No. 154 (2D Series) available at. Macaulay,T., (1889) Speech to the House of Commons ,February 6,1841,Miscellaneus Writings and Speeches ,Popular edition,London,Longman,Green &Co. Robinson, A., (1997) “The Life and Terms of UK Copyright in Original Works”, Entertainment Law Review, Vol.8 (2), 60-70. Sterling, J and Dworkin, T., (1994) “Phil Collins and the Term Directive”, European Intellectual Property Law Review, Vol, 16(5), 187-190. Sposton, L, and Davies, I., (2005) “Copyright: Term of Protection Directive” European Intellectual Property Law Review, vol.27 (4), N85-86. Silverstro, A., (1993) “Towards EC Harmonisation of the Term of Protection of Copyright and so-called Related Rights” Entertainment Law Review, Vol.4 (3), 73-79. Taebi, V., (1995) “Implications of the Implementation of the EEA Directive on the Harmonisation of Copyright and Related Rights”, Entertainment Law Review, Vol.6 (7), 255-257. Van Der Bergh, R., (1998) “The Role of Social Justifications of Copyright: A Law and Economics Approach” I.P.Q

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