Preview

Contribution of Artists to Modernism

Powerful Essays
Open Document
Open Document
1759 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Contribution of Artists to Modernism
The definition of artistic practice is known as the way an artist goes about doing his/her work, it can include influences, ideas, materials, tools, techniques and skills. An artists influences, intentions and choices may be shaped by the innovations of other artists, for example, if the artists feel the same way about political, social and cultural issues. Concepts are usually reused but shown in different ways. Chosen artists that display this theory and have affected the development of modern art in particular are, Edouard Manet, Paul Cezanne, Pablo Picasso and Marcel Duchamp. Manet (b.1832-1883) focused on light and shadow, rebelling against the idea of ‘ideal art’ created by the academies. Cezanne (b.1839-1906) was interested in the simplification of naturally occurring forms to their geometric essentials; he did this through his ‘still life paintings’ and further inspired the cubist movement. Picasso (b.1881-1973) focused on cubism, showing the art world that humans don’t always have to be aesthetically pleasing (women in particular). Lastly, Duchamp (b.1887-1968) started the phase of ‘ready made’ art proving that you don’t need to make something in order for it to be classified as art. Modernism encompassed the most intensive period of change in art history, the industrial revolution (1880’s). It did this by focusing on the transformation of atmosphere in regards to machinery (humans becoming redundant), agricultural processes and the manufacturing industry. Modernists did this to capture the moment in history, show others what their personal views were and describe how it was affecting society.
Manet was part of the impressionist movement and wanted to rebel from the traditional notions of art, administered by the French Academies. He broke several rules and shocked the public, especially with his artwork ‘Luncheon on the Grass’ (1863), in which he captures a fully nude woman shown in a completely new way. The woman pictured was not a goddess or Harem

You May Also Find These Documents Helpful

  • Good Essays

    Surrealist Art

    • 653 Words
    • 3 Pages

    The early 20th century is known for its systematic deflation of the traditional rules of Western art. Artists of this era overthrew long held conventions in a series of movements, all arising before 1920. For example Cubists created new styles of composition in painting as well as sculpture. Fauvists and Expressionists attacked traditional notions of pictorial representations through brushwork and bright colors. This is referred to as the style of abstraction. Abstract Expressionists attempted to reconstruct this style of art as a result of the major changes that were happening worldwide. The early 20th century was a dark time for Western civilization especially. In the time of World War I as well as World War II, many artists gave their art a deeper social significance. Most European artists in the immediate postwar period used their art to come to terms in some ways with what they had experienced. There were two primary ways that artists went about their art during this time; some enjoyed the aspect of figural styles while others proposed abstract art (Stokstad 1128).…

    • 653 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In this essay I will be discussing French artist Jules Cheret’s art work: La Loie Fuller (1893, figure 2.3) and American artist Will H. Bradley’s art work: The Chap Book, Thanksgiving no. (1895, figure 2.24) in a compare and contrast exercise, looking at both the similarities but also what makes these two works very different. The art works are both dated by the end of the nineteenth century. Around the same time, the Industrial Revolution brought a huge boost productivity, but also changed the social structure in Europe. Some artists start interest in finding a new artistic vocabulary that could best express the industrial world in which they lived. Therefore, an artistic movement called Art Nouveau has started in around 1890 to1910. It turned Western Classicism into Modernism. Jules Cheret and Will H. Bradley’s art…

    • 815 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    HUM112 Week 8 Assignment

    • 1862 Words
    • 6 Pages

    Impressionism was the late 19th-century art movement that sought to capture a fleeting moment, thereby conveying the elusiveness and impermanence of images and conditions (Kleiner, 2013, p. 1087). In late 1841 and the beginning 1843, the invention of paint in metal tubes was invented. This allowed the artists to transport the paints and paint out in the outdoors and paint instead of being shut off in the studio (Sayre, 2011, p. 1020). The three painter of this era that is essential to understanding this period is Claude Monet, Edgar Degas, and James Whistler.…

    • 1862 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    The Modern Art Movement evolved around the turn of the late 1800’s through the turn of the 20th century, to the late 1900’s. Visual Art in Western society moved from naturalism to abstraction during this time, and emphasis was placed on the Design Elements and Principles rather than representation. Modern Art was influenced by the invention of Photography as it freed artists from the constraints of realism.…

    • 471 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Édouade Manet was a French painter in the 19th century and was one of the first artists to approach modern and postmodern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism. Many of his earlier works, such as Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, caused much controversy. Luncheon on the Grass was particularly discredited by society, that it was exhibited in the Salon des Refusés (Salon of the rejected). The work juxtaposes a naked women to a couple of fully dressed men, which affronted many of general public because of the relaxed nature of woman, this was enhanced by the fact that the figures present were of great familiarity; the woman being a mix of his wife and a young model at the time, and the men were recognised to be Manet's brother and his future brother-in-law.…

    • 1002 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Everyone has his/her own personal views of art. Art surrounds our lives on a daily basis, and has been around since the beginning of time. There has been many famous artists throughout history including, Vincent Van Gogh, Leonardo Da Vinci, and Picasso. These people, along with others, sculpted the idea of visual art as we know it today. Art movements begin with an idea for a painting, followed by the process of putting that idea onto a canvas. Other artists see this painting and decide to “copy-cat” it.…

    • 583 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    The distinctive practices of Picasso and Pollock highlight how their views, choices and actions have been affected by their relative contexts within their world. Cubism was the advancement in art during the early 20th century, a time when the world was experiencing modernization in technology and medicine; and societies were rapidly growing and developing as well. Art historian John Golding stated that Cubism “was the greatest artistic revolution since the Italian Renaissance”. During this period Fascism was also on the rise. A second world war seemed the inevitable culmination of tense divisions within Europe between opposing Fascist and anti-Fascist camps. In this atmosphere of political strife, Pablo Picasso began to look for ways to instil the heretofore private symbols in his art with new, public meanings, to look for a way in which his work could contribute to the cause of the Left. In this context, Picasso's work took on a political significance, and this significance energized his work. Picasso's art making practices reflected his dynamic personality and artistic genius. Picasso's ability to draw on a number of diverse disciplines and sources for inspiration provided him with the impetus he needed to continually take his art to the next level. Paul Jackson Pollock, famous for his drip paintings, worked 30 years after Picasso and was vividly aware of Picasso and his work. Pollock was an influential American painter and a major figure in the abstract expressionist movement, who was largely affected by world war two. Although the war did not directly affect him, what did was the shift of the ‘art centre’ of the world moving at this time from Paris to New York. Evidently it is clear that the individual practices of Picasso and Pollock show how their views, choices and actions have been affected by…

    • 2544 Words
    • 11 Pages
    Powerful Essays
  • Powerful Essays

    Change is inevitable, man-made environments are changing all the time, people are getting higher, living in apartments and skyscrapers, human subconscious perspective is changing the world. Towards the end of the 19th century, newly creative forces were emerging, which looked forward and sought after innovation and originality in design. Seemingly endless reworkings of decorative design was overused and unambiguously discarded as fresh ideas along with new technologies and materials began to saturate into the beginning of the 20th century. The developed western world was seeing a new age and the birth of modernism . The term modernism and its meaning has formed much debate but it widely regarded as a shared aesthetic or ideological manifesto. As an interpretive concept, it may be applied to art, music or cultural and scientific expressions, not just design .…

    • 1903 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Of course, Industrialization in the 19th and 20th century obviously played a key role in changing the all of the arts. Starting with a variety of modernism, anti-traditionalism. Anti-traditionalism is a movement that first started in 1890 with varying experimentation by artists, composers, writers and poets. The different artists of the period were referred to as "avant-garde". However not every composer was apart of the avant-garde…

    • 372 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Marcel Duchamp

    • 1511 Words
    • 7 Pages

    Marcel Duchamp worked from the beginning of the 20th century through the 1960s influencing the art world in ways that no other artists can claim. He had a part, even if it was small in nearly every art movement from the cubists to the futurists to the dada to surrealism and through to pop art, creating his own genre intermitted called ready made art.…

    • 1511 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Modernism In The 1920s

    • 590 Words
    • 3 Pages

    Modernism in the 1920s consisted of the middle class perception and how their life was changing not to mention the offers that were within their reach. New products or ideas to the normal way of life was also a part of modernism. Many new technologies awed and changed so many lives. Plus new looks regarding fashion and new appearences for both sexes.…

    • 590 Words
    • 3 Pages
    Good Essays
  • Better Essays

    "The remarkable career of Henri Matisse, one of the most influential artists of the twentieth century, whose stylistic innovations (along with those of Pablo) fundamentally altered the course of modern art and affected the art of several generations of younger painters, spanned almost six and a half decades. His vast oeuvre encompassed painting, drawing, sculpture, graphic arts (as diverse as etchings, linocuts, lithographs, and aquatints), paper cutouts, and book illustration. His varied subjects comprised landscape, still life, portraiture, domestic and studio interiors, and particularly focused on the female figure" ("Henri Matisse Biography"). Henri Matisse was one of the greatest initiators of the modern art movement which uses the combination of bold primary colors and free, simple forms.…

    • 1067 Words
    • 5 Pages
    Better Essays
  • Good Essays

    luncheon on grass

    • 1017 Words
    • 5 Pages

    Originally titled as Le Bain, means the bath; Luncheon on the Grass was exhibited at the Salon de Refuses in 1863. It is painted with oil on a large canvas by Édouard Manet created in between 1862 and 1863. The painting represents the contrast between a female nude with fully clothed men in a rural setting. By that time, normally woman in paintings didn’t look at viewers straight, especially with nudes. Traditionally, nude models mostly looked away from the view. But however, Manet’s naked female model straightly stares at the viewer. This was shocking, but also challenging at the same time. The Luncheon on the Grass, received a great attention by causing public scandal with nude female and painting was success through setting, color, technique, composition and light.…

    • 1017 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Fried, Michael. Manet 's Modernism Or the Face of Painting in the 1860s. Chicago, Illinois : University of Chicago Press, 1996)…

    • 2835 Words
    • 12 Pages
    Powerful Essays
  • Powerful Essays

    The Arts and Crafts Movement began in the middle of the 19th century. This Movement was acted as an English ornamental arts movement . It was a insurgency to against the Victorian’s fashion for creative assumed and completed design after the industry revolution. The Arts and Crafts Movement was made a coordinated offer to break down established barriers between artists, designers, and craft people. As well as a new developing style, The Arts and Crafts Movement was a revolution of ideas about work, art, and society, developed by eminent writers, architects, and artists from Thomas Carlyle. The Arts and Crafts Movement was mainly on simple forms, an almost sensitive taste in materials, and the pattern in the use of nature source. Their work could be highly illuminative. In the same time, the design of The arts and Crafts Movement are often highly expressly , taking inspiration from local traditions. The roughness and simplicity of some work could be rough but the richness of any inner programmes and personal designs was visually stunning.…

    • 1738 Words
    • 7 Pages
    Powerful Essays