Rostand suggests about how patronage causes an artist to lose his individuality. He shows this through Cyrano’s speech to Le Bret.…
Despite possessing varying fortes, both Zeffirelli and Luhrmann are renowned for creating remarkable movies based on Shakespeare's play, Romeo and Juliet. The contrasting films are very different, including settings with a large time gap, instrumental and vocal music choices, but most visually notable, the costumes. Zeffirelli and Luhrmann’s interpretations of Romeo are portrayed through his costuming, illustrating how differing personalities are derived from the same role. Before the Capulets’ party, Romeo claims, “I do love a women,” referring to Rosaline (1.1.212). However, in the same day, after he sees Juliet, he declares “I ne’er saw true beauty till this night” (1.5.60). Zeffirelli analyzes those two lines and dresses Romeo in a predator-like mask…
Is Cyrano de Bergerac a tragic hero? Well, does he have any of Aristotle’s six characteristics? Aristotle’s characteristics consist of having a high social status, being imperfect, that the person’s downfall is his own fault, that his misfortune isn’t wholly deserved, the fall is not pure loss, and the tragedy doesn’t leave the audience in a state of depression (English 10 Honors Class Notes). What does Cyrano de Bergerac have in common with Don Quixote? Also, what do Cyrano de Bergerac and Don Quixote have in common with the song, “The Impossible Dream”. The characteristics are clear, but do Cyrano and Don Quixote meet the requirements, and do they live their life as an impossible dream?…
She is in love with Christian’s vanity, but is blissfully unaware of her love for Cyrano, who is the soul behind Christian’s beauty. Her ignorance can be translated to a form of innocence and purity. Roxane journeys to the fort of the Gascons during their battle against the Spaniards to reunite with her husband, Christian. Her intentions are pure, but her timing is tragic because she comes to the fort soon after De Guiche has signaled the Spaniards of their location. “It must be this fresh air, I am starving! Let me see…Cold partridges, Pastry, a little white wine, that would do. Will someone bring that to me?”(174). Roxane intends to reconcile with Christian while enjoying delicacies and white wine. This dialogue presents an example of Roxane’s innocence because her reference to the white wine symbolizes her ignorance and purity towards the predicament of her death sentence she unintentionally constructs for herself when she goes to the fort of the gascons. Roxane’s virtue signified by the white wine is imperative because it propels the audience to perceive her character as an innocent with pure intentions. The Spaniards eventually ambush the Gascons, causing Christian to become mortally wounded and die in Roxane’s arms. His untimely death leaves Roxane distraught and provokes her to spend the next fourteen years at the convent in mourning over her lost lover. The despair that consumes her as a widow contrasts…
Cyrano didn’t realize it, but Roxane was in love with him almost the whole story because she loved every single letter that he wrote. Cyrano inspires people to help others in order to make your first priority as happy as they can be. Even though Cyrano didn’t come out and confess his love to Roxane right away, he still found a way to tell her how he feels even if she doesn’t know it. If Cyrano kept in his feelings he might have exploded or something similar to that, so it inspires people to let out their feelings to someone or something because it is relieving to just talk about feelings. The way Cyrano acts and talks is very professional which makes him a great role…
I think Baz Lurhmann’s adaptation of Romeo and Juliet strongly shows the theme of conflict throughout the entire film, in which it is retold for the modern viewers. Baz Lurhmann shows at the start of the film two sky high building with ‘Montague’ and ‘Capulet’ in bold lettering at the top, this shows how the two families have a lot of rivalry, such as in the business world of today’s society which a lot of people can relate to also the fact they are both nearly at a war about something nobody knows anything about ‘Ancient grudge‘, I think this is the base point of the build up of conflict in the film. Lurhmann also used quite modern weapons such as guns and drugs which I think is easier for people to understand, as it is up to date which world today. In nearly every shot in the film there is a gun which shows the amount of tension and rivalry between everyone and how this leads into the conflicts.…
Lorraine Hansberry’s play “A Raisin in the Sun,” was a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred.…
After spending time listening and participating in my class’s interactive oral for Cyrano de Bergerac, my mind and thought process towards this play were expanded. I never realized how pyrotechnic Rostand’s writing truly is. This play contains so many symbols that allows the reader to connect with the story on a deeper level. The interactive oral gave me a chance to notice the little symbolisms that most people overlook, such as, a barrier that prevents Cyrano from professing his love to his cousin Roxane, meant to be shown through Cyrano’s rather large nose. There was also a realization about the differences and similarities of the culture depicted then and the culture now. The stereotypical gender roles seemed to be switched in the play then what…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
Who is Cyrano in the play Cyrano de Bergerac? In Cyrano de Bergerac by Edmond Rostand, Cyrano is a man who has a big sized nose, and he is in love with a beautiful woman named Roxane, but she is in love with a handsome man named Christian. All throughout the play Cyrano tries to get Roxane to love him for his personality, not his looks. Cyrano’s personality is brave, romantic, and witty.…
Throughout the play Cyrano de Bergerac, Edmond Rostand concentrates on Cyrano’s adoration of the exquisite Roxanne, and his attempts to win her love for the less intelligent but more attractive Christian de Neuvillette. Cyrano, a large-nosed swordsman and poet, must overcome internal struggles between his passion for Roxanne and loyalty to his friend Christian. In the end of the play, when Roxanne learns the truth about the true identity of Christian, the ever-loyal Cyrano wrongly accuses himself of amounting to nothing throughout his life.…
Love is a powerful thing, most people take advantage of love but then there are the lucky ones who find their true love. In Shakespeare play Twelfth Night and in the movie She’s The Man are very different. They are both very much the same. But they both have different scenarios. In the end, both stories teach us the same lesson, no matter how different they are.…
An example of magnetism that draws people to Cyrano throughout the play is his long nose. Particularly, in Act I when Cyrano shows up at the play at the Hotel de Bourgogne, he is mocked for his nose. Raganeau, head pastry cook at the bakery, mocks Cyrano’s nose by saying, “Prouder than the proudest of Gascony’s numberless haughty sons, he wears, above his Pulcinella ruff, a nose!.... Ah! My lords, what a nose is that nose! It is impossible, in presence of such a nose-bearer not to think : This, really is exaggeration! Then you will smile, a think of course, he’ll take it off. But Monsieur de Bergerac takes it off” (Act I. ii.). Another example of magnetism that draws people to Cyrano is his wit and skill as a writer. Particularly, Roxanne is drawn to Cyrano’s writing which is shown through her wanting Christian to write often at battle. Also, this is shown when she woos after reading “Christian’s” letters. Based on the evidence provided, it can be proved that Cyrano demonstrates a plethora of magnetism throughout the…
In the last century, two musicals have stood out from there comic counterparts. Les Misérables and West Side Story tell more serious stories and have captivated audiences with revivals and film versions. Both are based on classic literature, and share universal and relatable social problems. West Side Story created by Lenard Bernstein, Steven Sondheim, Arthur Laurents, and Jerome Robbins tell the story of Romeo and Juliet in 1950s New York. Les Misérables by Composer Claude-Michael Schonberg and lyricist Alain Boublil is based on Victor Hugo’s novel of the same title. The atypical nature of both the musicals that has made them more than just a temporary cultural fad. Initially both musical were not received well and did not receive that same…
Anxiety, mental breakdowns, alcohol and drug abuser, there’s only so much distress someone can tolerate before they go off talking to themselves on the streets. Woody Allen’s famous release of the drama “Blue Jasmine” features best actress of her generation, Cate Blanchett as Jasmine Francis. This Manhattan socialite is forced to live with her downscale adoptive sister Giger (Sally Hawkins) in San Francisco after her million dollar lifestyle fell apart. As an attempt to move on and start a new life she gets a part time job and lies her way through potential love interests.…