Comic Relief in the Tale of Two Cities

Topics: A Tale of Two Cities, 18th century, Charles Dickens Pages: 2 (437 words) Published: March 30, 2013
Comic relief is an important theatrical convention that makes the story more interesting and appealing to readers. In Charles Dickens’s A Tale of Two Cities, Dickens uses one of his minor but fascinating characters, Jerry Cruncher, to depict this. The two or three chapters dealing with Jerry Cruncher and his family life are humorous and he also illustrates the terrible poverty during the 18th century. And despite the novel’s tragic scenes and symbolic images, Dickens uses Jerry to lighten things up a bit.

Jerry Cruncher is a multidimensional tradesman, honest to some, but truly not, as well as a conscientious father and self-conscious individual. Jerry Cruncher can be described as gruff and ragged. An odd-job man, who sits outside Tellson's Bank during the day and is a body-snatcher by night. He is also uneducated which lead him to do unnecessary actions. Even when describing Jerry, Dickens uses jokes. “Mr. Cruncher himself always spoke of the year of our Lord as Anna Dominoes: apparently under the impression that the Christian era dated from the invention of a popular game, by a lady who had bestowed her name upon it.” (Dickens 66)

Dickens also uses the character of Jerry to illustrate the terrible poverty of life in England during the 1700’s when Dickens goes more in depth about Jerry in chapter 14 called The Honest Tradesman. This was a chapter dedicated solely to Jerry Cruncher. In this chapter, the most interesting and comic scene is presented. Jerry has such a hard time supporting his family that he resorts to digging up dead bodies in secret to help make ends meet. He tries to hide this by telling his wife and son that he is going fishing, but instead he was actually fishing up for bodies to sell to a surgeon. Another humorous scene in the story is how he becomes paranoid and begins to hate that his wife prays about him. He believes that she is praying against him. “What do you mean by flopping yourself down and praying against me?” (Dickens 67)...
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