Preview

Claire McCardell: A Fashion Designer

Powerful Essays
Open Document
Open Document
1094 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Claire McCardell: A Fashion Designer
3. >

^ 2.

Fashion designers design through their own personal character and style. Everyone has a combination of multiple characteristics that make up their personality, style, views and thoughts, etc. A person’s own personal character cannot be duplicated. Anyone has the ability to show their talents through their own persona to many different types of industries. Having the ambition of becoming a high fashion designer is not impossible. Successful designers create designs through their own personal perception. People all over the world phony their personal temperament due to the media, advertisements, latest trends, etc. One cannot succeed as a designer if their character is an imposter, for which their designs will be criticized as “all ready been seen.” Claire McCardell had her own personal qualities that have inspired multiple trends here today. [As an adult, Claire states “it wasn’t me in the clothes, or just wearing them, that interested me—it was the clothes in relation to me—how changed I felt once in them” (Steele, p 9).]
Claire McCardell was a small town girl born on May 24, 1905, in Frederick, Maryland. She grew up to be America’s most American designer (Steele p.13). Her interest in clothes and designs were passed on from her mother. In the late 1920’s, Claire’s impassive striking appearance, eccentric stance, and irregular hairstyles lead her as a model for B. Altman’s and numerous Seventh Avenue showrooms. Having been influenced by both parents, she developed her personal character and design aesthetic. She grew up to be an independent woman with an American attitude towards fashion. As an American designer, Claire was described as having introduced “the American look” that differentiates Dior’s New Look of 1947 (Yohannan and Nolf p.1). She is recognized by having created an American style of casual dress in the twentieth century. She refused to look at Paris couture designs and collections as she feared it might influence her in



Cited: Modernism. By Kohle Yohannan and Nancy Nolf. Ed. Ruth A Peltason. New York: Harry N. Abrams, 1998. 8-13.Print. Photographs: 1. 1970 's Forties Revival Halter Dress. N.d. A Victorian Elegance. N.p., 5 May 2002 3. JoulesVintage. Claire McCardell Clothes by Townley. 17 July 2007. Flickr. Yahoo, 2010 4. McCardell with bows on. 24 Oct. 2006. A Dress a Day. N.p., 24 Oct. 2006. Web. 19 Oct 6. Rawlings, John. Claire McCardell bathing suit, circa 1950. N.d. Icy La Mode. N.p., 30 Dec. 2008.Web. 18 Oct. 2010. <http://icylamode.blogspot.com/2008_12_01_archive.html>.

You May Also Find These Documents Helpful

  • Powerful Essays

    * First forecasted women’s wear in 1917; men’s wear in the 1960s; home furnishing in the 1970s; children’s wear and active wear in the 1980s…

    • 2772 Words
    • 12 Pages
    Powerful Essays
  • Better Essays

    Flapper Research Paper

    • 650 Words
    • 3 Pages

    A combination of floral beading and lattice work make this long dress unforgettably enchanting. It gives the look of the flapper era while still being suitable to a more formal social event.…

    • 650 Words
    • 3 Pages
    Better Essays
  • Good Essays

    Even though flapper aspects have changed women forever since this time period and the image of flappers began in the United States’ Hollywood, many fashion gurus changed the look of women as well. This change specifically took place in Paris because of Bow’s influence through her acting. The Parisian haute couture from 1919 to 1929 completely changed the way women dressed and the overall fashion boundaries between the sexes. A French stylist named Paul Poiret “‘declared war’ on the corset” and he showed a “powerful reminder that in the world of fashion, no bigger design revolution has taken place.” This fashion up rise can be seen on all of Bow’s magazine covers. On the cover of one of Screenland’s magazines from June of 1929, Clara Bow’s face is depicted with her red short hair and her feminine bow tie. On the cover it even states, “Clara Bow’s bathing suit for the best letter” . All throughout magazines, Bow defines the new revolution of fashion by wearing a feminine bow tie and small bikinis which was very out of the ordinary. Bow’s influence is seen through both advertising and the movie industry by making “The flapper style- both in look and demeanor- reflected the exuberant, fast pace of modern America, with its mass production, mass marketing, and mass consumption.” according to Daniel Delis Hill. Overall these aspects of fashion led to what is…

    • 2006 Words
    • 9 Pages
    Good Essays
  • Good Essays

    From 1920s till her death Chanel pioneered innovative designs for women. Almost singlehandedly introduced ‘sportswear, the poor boy look, designer perfume, suntans and the little black dress’ Her inspirations derived from ongoing change of society and a common man (explaining how the androgynous look developed). During late 1920s to early 1930s, Chanel was part of a group of well-dressed woman and gradually ‘everyone was copying her’ (Field 1983 pg.104). The trend that Chanel started saw woman gradually wearing trousers as it was a garment far more aesthetically pleasing and practical compared to a dress. It was a new silhouette for women and the ‘most spectacular innovation brought about by Chanel’ (Charles-Roux). The dramatic change of silhouette during the era was positively accepted and believed to be ‘quintessentially…

    • 744 Words
    • 3 Pages
    Good Essays
  • Best Essays

    Her primary target was upper class clientel, initially offering bridal gowns by designers such as Guy Laroche, Arnold Scaasi, Christian Dior and Carolina Herrena. Her background spawned her birth as a real player into the fashion world: the discipline she learned from competitive ice skating; the trips to Paris for fashion shows with her mother, as a child; her high-priced education; the mentors she acquired during her career at Vogue and with Ralph Lauren, who broadened her knowledge of fashion. Her background and understanding for the need to fill a niche, in the fashion industry, fuels her passion for designing elegant apparel.…

    • 1704 Words
    • 7 Pages
    Best Essays
  • Good Essays

    The majority of the historical events that took place in the 1920’s, greatly influenced the way women dressed, as the automobile industry grew, so did female’s interest in cars. As they became drivers, women’s clothes were adjusted accordingly to their more liberated lifestyle, with sporty clothes becoming one of the leading fashion trends.…

    • 254 Words
    • 2 Pages
    Good Essays
  • Good Essays

    documentary and the essay, women are revealed to be sexually objectified and mainly judged by…

    • 597 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Burda Fashion

    • 311 Words
    • 2 Pages

    When designing this dress Lucashenko’s vision was to fuse classic vintage characteristics with modern romantic elements to create a feminine After-Five piece. Modifications and detailing through Lucashenko’s creative process allowed her to really make this dress as romantic and feminine as she had envisioned.…

    • 311 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    After the end of World War I, the United States president, Warren G. Harding, claimed that he wanted to return to normalcy and to bring back the peace following the years of war; society did change, but it was no where near what it had been before the war (Marcovitz 14). “The reactionary temper of the 1920s and the repressive movements it spawned arose as reactions to a much-publicized social and intellectual revolution that threatened to rip America from it old moorings” (Tindall 800). During this time, the 18th Amendment was passed in order to maintain society’s previous morals and standards. Many Americans saw the consumption of alcohol as a sin and did not want their society to lose their morals (Marcovitz…

    • 1906 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    “London designer Mary Quant is immortalized by fashion iconography as the originator of the miniskirt” (“Mary Quant Biography”). “Every 1960s fashion icon contributed their own signature style to the decade. It was the era of the girl group, the gamine supermodel and the original IT-girls” (“Marie Claire”). When Mary Quant came out with her fashion, it inspired people to wear her clothes. In addition “these women were some of the greatest fashion influencers of all time” (“Marie Claire”). “The sixties still provides designers today with an endless source of inspiration”(“Marie Clarie”)In addition these designers were so inspiring that people were very confident about what they wore. Overall, Mod fashion was the most influential and inspiring people to wear what they want to…

    • 794 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Research Paper

    • 2277 Words
    • 10 Pages

    Her mother believed in more traditional morals and was against the idea. So when it came to her studies, she decided to study fashion illustration, here, at the Fashion Institute of Technology. She received her bachelor’s degree in fashion illustration in 1964, but had difficulties finding a job with her major so she resorted to a job at the Northwest Orient Airlines as an airline reservation clerk. She quickly took advantage of the discounted flights she was able to receive and flew to London every opportunity she got. In London, she was able to study the fashion styles she saw on the streets and in stores learning about the mod fashions that was seen everywhere. She then decided to bring the fashion she saw in Europe back to New York, opening up a small shop with her husband at the time in 1969. She then began to create her own designs inspired by the Europe fashion of the sixties.…

    • 2277 Words
    • 10 Pages
    Powerful Essays
  • Best Essays

    1920ts Fashion

    • 3086 Words
    • 13 Pages

    * Nunn, Joan: Fashion in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at The Victorian Web)…

    • 3086 Words
    • 13 Pages
    Best Essays
  • Better Essays

    The 1920’s fashion was a period of liberation, change, and even more importantly a movement towards the modern era. Fashion in the 1920’s varied throughout the decade but one could see the noticeable change from the previous fashion statements and eras. At the start of the decade, women began emancipating themselves from the constricting fashions by wearing more comfortable apparel. As women gained more rights and World War I forced them to become more independent, flappers came to be, mass-produced garments became available, and artistic movements increased in popularity, one can see how the fashions from the roaring twenties characterized the time and redefined womanhood. (1920s clothing 1)…

    • 1083 Words
    • 5 Pages
    Better Essays
  • Better Essays

    Health Insurance

    • 1922 Words
    • 8 Pages

    Kelsey Timmerman, Where Am I Wearing? , Hoboken: John Wiley & Sons, Inc., 2012. Print.…

    • 1922 Words
    • 8 Pages
    Better Essays
  • Good Essays

    Fashion in the 1930’s

    • 606 Words
    • 3 Pages

    Have you ever wondered how fashion was back then in the 1930’s? If you ask me, I thought it was amazingly beautiful. They were so creative, unique and old-fashion, that’s what is called real fashion . That’s just my opinion. I’m interested in the different designs they have on the clothing, how they are cut, and what they wear with what type of other clothing on. “The women’s fashion back then was much more lady-like” . ( http://www.fashion-era.com/stylish_thirties.htm ) The little girls fashion was mostly cute dresses with flats. Men’s fashion was more formal back then.…

    • 606 Words
    • 3 Pages
    Good Essays